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Voice and the Young Actor
"Many high school theatre teachers do not have access to intensive voice instruction. Rena's book will fill that void. It is instructive, concise, easy to understand, and most importantly for the high school student, fun. High school teachers will find the book an invaluable voice and acting resource. It would be beneficial to all high school theatre programs to have Voice and the Young Actor as a textbook." Kim Moore, High School Teacher, Colorado There are thousands of students enrolled in school drama classes in yet very often young actors cannot be heard, are culturally encouraged to trail off at the ends of sentences, and habitually use only the lowest pitches of the voice. Drama teache...
Empower Your Voice
Empower your Voice: For Women in Business, Politics and Life is written for the woman who wants to change the way she communicates. It is inspiring, inviting and informing as it lays out a process in how a woman expresses her ideas and opinions. Complementary video links included modeling exercises to bring your best to each opportunity.
Breath in Action
Breath in Action looks at the significance of breath to human life - not just the simple fact that if we stop breathing, we die, but also the more subtle ways in which our breath interacts with our voice and our being. Combining theory with practice, many of the chapters also offer clearly laid out breathing exercises and techniques.
Voice and the Young Actor
There are thousands of students enrolled in school drama classes and yet very often young actors cannot be heard, are culturally encouraged to trail off at the ends of sentences, and habitually use only the lowest pitches of the voice. Drama teachers, frequently ask, "How can I get my students to speak up, to be clear, to articulate?" Voice and the Young Actor is written for the school actor, is inviting in format, language and illustration and offers clear and inspiring instructions. The accompanying video content features 85 mins and 28 filmed voice workshop exercises with the author and two students. These students log their reflections in the book on what they have learned throughout their training and there is space for the reader to do the same. A workbook in format, Voice and the Young Actor provides simple, interactive vocal exercises and shows young performers how to take voice work into acting.
Her Voice in Law
This book provides an in-depth training course for the female attorney who wants to have more vocal power, to build instant trust and rapport and have authentic command in all legal situations, including trial work. The authors go in-depth to provide a straightforward pathway for lasting changes.
The Voice in Violence
This collection from The Voice and Speech Trainers Association focuses on the voice in stage violence addressing such questions as: Û How does one scream safely? Û What are the best ways to orchestrate voices in complex battle scenes? Û How to voice coaches work collaboratively with fight directors and the rest of the creative team? Û What techniques are used to re-voice violent stunt scenes on film? Û How accurate are actor presentations of extreme emotion? Û What is missing from many portrayals of domestic violence? Written by leading theatre voice and speech coaches the volume contains 63 articles essays interviews and reviews covering a wide variety of professional concerns.
The Theory and Practice of Vocal Psychotherapy
The voice is the most powerful and widely used instrument in music therapy. This book demonstrates the enormous possibilities for personal change and growth using a new, voice-based model of psychotherapy where the sounds of the voice are expressed, listened to and interpreted in order to access unconscious aspects of the self and retrieve memories, images and feelings from the past. Combining theory with practice, the book explains the foundations of vocal psychotherapy and goes on to explore its usage in clinical practice and the various techniques involved. The book integrates important concepts from depth psychology such as regression, reenactment and working with transference and counte...
Voice and Identity
Voice and Identity draws from the knowledge and expertise of leading figures to explore the evolving nature of voice training in the performing arts. The authors in this international collection look through both practical and theoretical lenses as they connect voice studies to equity, diversity, inclusion, and belonging, and to gender and gender diversity. The book offers chapters that focus on practical tools and tips for voice teachers, and the text also includes chapters that give rich social, cultural, and theoretical discussions that are both academic and accessible, with a particular focus on gender diverse, gender non-binary, transgender, and inclusionary voice research. Offering interdisciplinary insights from voice practitioners and scholars from the disciplines of actor training, singing, public speaking, voice science, communication, philosophy, women’s studies, Indigenous studies, gender studies, and sociology, this book will be a key resource for practitioners and researchers engaged in these fields. The chapters in this book were originally published in the Voice and Speech Review journal.
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