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Fifteenth-Century Studies
Annual volume of essays treating topics ranging from physical impairment to narrative afterlife and time.
Medieval German Literature
Medieval German Literature provides a comprehensive survey of this Germanic body of work from the eighth century through the early fifteenth century. The authors treat the large body of late-medieval lyric poetry in detail for the first time.
Cei and the Arthurian Legend
`No Arthurian critic will be able to ignore this book which gathers together so much diverse material and skilfully brings out unexpected links between versions widely separated in time and country of origin. MODERN LANGUAGE REVIEW `No Arthurian critic will be able to ignore this book which gathers together so much diverse material and skilfully brings out unexpected links between versions widely separated in time and country of origin.' MODERN LANGUAGE REVIEW Cei is one of the most puzzling figures in the development of the Arthurian legend: a hero beyond compare in the early Welsh sources, his appearances in later Arthurian literature are frequently associated with comic defeatin combat, o...
Laughter in the Middle Ages and Early Modern Times
Despite popular opinions of the ‘dark Middle Ages’ and a ‘gloomy early modern age,’ many people laughed, smiled, giggled, chuckled, entertained and ridiculed each other. This volume demonstrates how important laughter had been at times and how diverse the situations proved to be in which people laughed, and this from late antiquity to the eighteenth century. The contributions examine a wide gamut of significant cases of laughter in literary texts, historical documents, and art works where laughter determined the relationship among people. In fact, laughter emerges as a kaleidoscopic phenomenon reflecting divine joy, bitter hatred and contempt, satirical perspectives and parodic intentions. In some examples protagonists laughed out of sheer happiness and delight, in others because they felt anxiety and insecurity. It is much more difficult to detect premodern sculptures of laughing figures, but they also existed. Laughter reflected a variety of concerns, interests, and intentions, and the collective approach in this volume to laughter in the past opens many new windows to the history of mentality, social and religious conditions, gender relationships, and power structures.
The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)
This book brings a new perspective to secular music sources from the Middle Ages and early modernity by viewing them as media communication tools, whose particular features shape the meaning of their contents. Ranging from the eleventh to seventeenth centuries, and across countries and genres, the chapters offer innovative insights into the historical relationship between music and its presentation in a wide variety of media. The lens of media enables contributors to expand music history beyond notated music manuscripts and instruments to include images, furniture, luxury items, and other objects, and to address uniquely visual and material aspects of music sources in books and literature. Drawing together an international group of contributors, the volume pays close attention to the medial and material dimensions of musical sources, considering them as multifaceted objects that not only contain but also determine the nature of the music they transmit. Transforming our understanding of musical media, this volume will be of interest to scholars of musicology, art history, and medieval and early modern cultures.
Arthurian Bibliography IV
This fourth volume of entries, culled in the main from BBSIA, covers the years 1933 to 1998 inclusive. The cumulative volumes of the Bibliography offer an exhaustive author and title database of the burgeoning scholarship in this field.
The Cycle of Guillaume D'Orange Or Garin de Monglane
Bibliography of all works, not only on the full cycle but also on Le Chanson de Guillaume and the Geste de Monglane. This is the first comprehensive critical bibliography of the Old French epic cycle of Guillaume d'Orange. As well as covering editions and studies of the twenty principal poems of the full cycle, including fragments, the bibliography includes works on La Chanson de Guillaume, the fifteenth-century prose romance derived from the cycle, and the four poems conserved only in the so-called Geste de Monglane. It offers exhaustive coverage of material published between the mid-nineteenth century and the year 2000, including book reviews. As well as listing and commenting on editions and studies of individual poems the bibliography has sections dealing with manuscript studies, studies of the cycle as a whole and groups of poems, thematic studies of characters, motifs, geography and history related to the poems. For ease of consultation it is completed by an index of scholars and an index of authors, titles and themes. PHILIP BENNETT is Reader in French, Edinburgh University.
Erec
As the earliest Arthurian verse-novel in the German language, Hartmann von Aue's Erec was highly influential, not only on the many Arthurian works that followed, but also on courtly narrative verse in general. However, his tale is of more than antiquarian interest. Its subjects?the individual in conflict with society and the destructive force of possessive love?are modern, and its language, when transferred into prose, is more direct and lucid than most contemporary writing. Indeed, it was the conviction that the story deserved a much larger audience than that of medieval scholars which inspired this translation, the first into English.
(2014)
The purpose of the BIAS is, year by year, to draw attention to all scholarly books and articles directly concerned with the matière de Bretagne. The bibliography aims to include all books, reviews and articles published in the year preceding its appearance, an exception being made for earlier studies which have been omitted inadvertently. The present volume contains over 700 entries on relevant publications that were published in 2013.
