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Italian Opera Since 1945
First published in 1988. Italy, the birthplace of opera in the late sixteenth century, has in recent decades seen remarkable and vital musical growth, with composers as diverse as Luciano Berio and Nino Rota, Luigi Nono and Sylvano Bussotti, Giacomo Manzoni, Bruno Maderna and Salvatore Sciarrino. The musical theatre has figured prominently in the work of Italian composers during this period, ranging from operas conceived in a traditional mode to works of a Music Theatre variety, and in style from popular to avant-garde. In this book Raymond Fearn surveys this Italian musico-theatrical phenomenon in the period since the Second World War, examining a wide range of works such as Nono's Intolleranza and Al Gran Sole Carico d'Amore, Berio's Passaggio and Un re in ascolto, Manzoni's Atomtod and La Sentenza and Castiglioni's Oberon and The King's Masque, and places these developments within a cultural and theatrical context
2002
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
Franz Liszt
First published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.
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The Politics of Opera in Post-War Venice
Focusing on opera and modernism in postwar Venice, Boyd-Bennett challenges assumptions about music in the twentieth century.
Le musiche d’arte del XXI secolo in prospettiva storica: Atti della prima giornata di studio, 13 aprile 2021
[Italiano]: Un quinto del XXI secolo è già alle nostre spalle e l’insieme delle musiche d’arte composte dal 2001 ad oggi è a dir poco imponente. Le domande che si può porre uno storico della musica dinanzi all’attuale scenario sono molteplici. In che modo le musiche d’arte d’inizio Duemila si distinguono – se davvero si distinguono -- da quelle del tardo Novecento? Si deve parlare di un Novecento di longue durée oppure emergono fattori di discontinuità? E l’eventuale discontinuità tra XX e XXI secolo è in qualche modo paragonabile alle maggiori svolte storico-musicali registrate, per esempio, a cavaliere tra Cinque e Seicento oppure tra Otto e Novecento? E ancora: come ...
Richard Wagner
Acknowledgements To Users of this Research Guide I. Introduction II. Introducing Wagner: Compendia and Other Survey Studies III. Researching Wagner: Reference Works of Various Kinds IV. The Documentary Legacy V. Wagner's Life and Character VI. Wagner as Composer: Studies in Techniques, Styles, and Influences VII. Wagner as Music-Dramatist VIII. Wagner as Instrumental and Vocal Composer and Arranger IX. Performing Wagner X. Wagner as Poet, Prose Writer, and Philosopher XI. Criticizing Wagner XII. Wagner and Culture, Past and Present XIII. After Wagner: Bayreuth, the Festivals, and Wagner's Descendents Index
Prometeo
Das gro�e, zentrale sp�te Werk eines der bedeutenden Komponisten des 20. Jahrhunderts wird hier anhand des gesamten Archivmaterials zu Prometeo erstmalig umfassend untersucht. Das innovative Konzept des italienischen Komponisten und seine Auseinandersetzung mit dem antiken Sujet wird interpretiert als kulturkritische Fortschreibung des Prometheus-Mythos im ausgehenden 20. Jahrhundert, aber auch als die Suche nach M�glichkeiten einer spezifisch musikalischen Reflexion von Geschichte und Geschichtsschreibung. Anhand des erstmalig erschlossenen Skizzenmaterials wird die Komposition zum Gegenstand detaillierter Analysen und grundlegender Reflexion von zeitgen�ssischen Kompositionstechniken. Schwerpunkte der Untersuchung bilden die Disposition des Auffuehrungsraumes, die mehrdimensionale Konzeption der musikalischen Zeit und der kompositorische Umgang mit historischem Material. "Gleichwohl handelt es sich um packende, ungew�hnliche Musik, die Forderungen stellt. Lydia Jeschke haben wir es zu verdanken, da� wir sehr viel mehr und sehr viel Detaillierteres darueber wissen." Musiktheorie .
