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René Daumal
Demonstrates how Rene Daumal, author of Mount Analogue, (a study of Hindu philosophy and poetics) and the teaching of G. I. Gurdjieff combined with Daumal's early surrealist tendencies in determining the quality of his writing.
Mount Analogue
In this novel/allegory the narrator/author sets sail in the yacht Impossible to search for Mount Analogue, the geographically located, albeit hidden, peak that reaches inexorably toward heaven.
You've Always Been Wrong
You've Always Been Wrong is a collection of prose and poetic works by the French writer Reni Daumal (1908-1944). A fitful interloper among the Surrealists, Daumal rejected all forms of dogmatic thought, whether religious, philosophical, aesthetic, or political. Much like the Surrealists (and French theorists of more recent decades), Daumal saw in the strict forms and certainties of traditional metaphysics a type of thought that enslaves people even as it pretends to liberate them. These "cadavers of thought, " Daumal wrote with youthful bravado, "must be met with storms of doubt, blasphemes, and kerosene for the temples." Daumal tied Surrealism with mystical traditions. A devoted student of ...
René Daumal
Demonstrates how Rene Daumal, author of Mount Analogue, (a study of Hindu philosophy and poetics) and the teaching of G. I. Gurdjieff combined with Daumal's early surrealist tendencies in determining the quality of his writing.
Rene Daumal
René Daumal's Le Contre-Ciel is a collection of poems about death, not a death that ends life but a death that begins it. For this early 20th century French poet-philosopher, Life, in its most dynamic sense, can only be experienced after the facade of self identity has been systematically negated through a kind of metaphysical suicide. In Le Contre-Ciel, Daumal invites us, his readers, to go through this process of regeneration-through-negation with him in order to revive in ourselves a knowledge and understanding of our primordial sources.
Mount Analogue
Daumal's symbolic mountain represents a way to truth that "cannot not exist," and his classic allegory of man's search for himself embraces the certainty that one can know and conquer one's own reality. In this novel/allegory the narrator/author sets sail in the yacht Impossible to search for Mount Analogue, the geographically located, albeit hidden, peak that reaches inexorably toward heaven. Daumal's symbolic mountain represents a way to truth that "cannot not exist," and his classic allegory of man's search for himself embraces the certainty that one can know and conquer one's own reality.
René Daumal's Mugle
Translation (with introduction and bibliography) of Rene Daumal's two short stories, written in 1925-26. The stories are allegories of self-destruction and self-destructing writing.
Pataphysical Essays
Pataphysics: the science of imaginary solutions, of laws governing exceptions and of the laws describing the universe supplementary to this one. Alfred Jarry's posthumous novel, Exploits and Opinions of Dr. Faustroll, Pataphysician, first appeared in 1911, and over the next 100 years, his pataphysical supersession of metaphysics would influence everyone from Marcel Duchamp and Boris Vian to Umberto Eco and Jean Baudrillard. In 1948 in Paris, a group of writers and thinkers would found the College of 'Pataphysics, still going strong today. The iconoclastic René Daumal was the first to elaborate upon Jarry's unique and humorous philosophy. Though Daumal is better known for his unfinished nove...
The Powers of the Word
Since his death in 1944, Rene Daumal has come to be recognized as one of the original minds of the twentieth century French letters. Poet, essayist, philosopher and translator, Sanscrit scholar and pupil of Gurdjieff, Daumal was a founder of the...
Le Contre-ciel
LE CONTRE-CIEL is a powerful and transcendent collection of poetry. Rene Daumal presents, in the form of easily digestible verse, a stirring and provocative meditation on life, death, and the afterlife. LE CONTRE-CIEL ('The Counter-Heaven') marked the start of one of the most daring and inventive careers in all of French literature. Written when its author was only twenty-two, it was honoured with the prestigious Prix Jacques Doucet, awarded by the reigning triumvirate of French letters, Andre Gide, Paul Valery, and Jean Giraudoux. LE CONTRE-CIEL is an exploration of, among other things, death as a beginning to life rather than end, a means of shedding superficial identity and experiencing understanding and awareness - concepts that Daumal later developed in his two great prose masterpieces, A Night of Serious Drinking and the posthumously published Mount Analogue.
