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René Gilson
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Reading the Figural, Or, Philosophy After the New Media
In Reading the Figural, or, Philosophy after the New Media D. N. Rodowick applies the concept of “the figural” to a variety of philosophical and aesthetic issues. Inspired by the aesthetic philosophy of Jean-François Lyotard, the figural defines a semiotic regime where the distinction between linguistic and plastic representation breaks down. This opposition, which has been the philosophical foundation of aesthetics since the eighteenth century, has been explicitly challenged by the new electronic, televisual, and digital media. Rodowick—one of the foremost film theorists writing today—contemplates this challenge, describing and critiquing the new regime of signs and new ways of thi...
A Thomistic Tapestry
This book, written by well-known students of Étienne Gilson and especially dedicated to Armand A. Maurer, helps inaugurate a long-overdue special series in philosophy honoring Gilson’s legendary scholarship. It presents wide-ranging expositions of Thomist realism in the tradition of Gilsonian humanism covering themes related to philosophy in general, historical method, aesthetics, metaphysics, epistemology, and politics.
Gardens and the Passion for the Infinite
What essentially is a garden? Is it a small plot of land that we put aside to cultivate our favorite vegetables or to grow flowers for our personal enjoyment? Or is it a symbol, a mirror, a reflection of our human passions? The topic of the present volume is the mysterious ways in which Imaginatio Creatix plays within the human ingrowness in natural life, transposing dreams, nostalgias, and enchantments.
Under Her Spell
He Had Come To See A World At The End Of One Period Of History And At The Beginning Of Another More Dramatic One. When He Came To India In December 1956 Roberto Rossellini Was An Internationally Renowned Figure. Highly Acclaimed As A Director Of Italian Neo-Realist Films And Married To Hollywood Legend Ingrid Bergman, His Was An Ebullient Yet Intense Personality That Combined A Fondness For Flashy Cars And Lovely Women With A Passionately Serious Commitment To Exploring The Human Condition And Portraying It With Unflinching And Unvarnished Honesty. Rossellini Had Come To India At The Invitation Of The Prime Minister, Jawaharlal Nehru. His Aim Was To Make A Series Of Films Which Would Capture...
The Classic French Cinema, 1930-1960
Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.
Mists of Regret
Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew cont...
