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Revenge
An all-new graphic novel inspired by ABC's popular television series "Revenge," cowritten by series writer Ted Sullivan! Emily Thorne is a wealthy and good-natured philanthropist who recently befriended the powerful Grayson family. But Emily's real name is Amanda Clarke. Twenty years ago, the Graysons' elite social circle framed Amanda's father for a horrific crime...and Amanda plans to destroy the lives of those who stole her childhood and betrayed her father. Now, experience Amanda's first mission of revenge! After training in Japan, the untested heroine finds herself infiltrating high society in Geneva. There, she uncovers secrets about her past...but her future will be short-lived unless Amanda can defeat a surprising enemy with ties to the people who destroyed her life! Prepare for a thrilling ride into the previously unexplored past of television's most dynamic - and dangerous - girl next door!
Revenge
A woman goes into a bakery to buy a strawberry cream tart. The place is immaculate but there is no one serving so she waits. Another customer comes in. The woman tells the new arrival that she is buying her son a treat for his birthday. Every year she buys him his favourite cake; even though he died in an accident when he was six years old. From this beginning Yoko Ogawa weaves a dark and beautiful narrative that pulls together a seemingly disconnected cast of characters. In the tradition of classical Japanese poetic collections, the stories in Revenge are linked through recurring images and motifs, as each story follows on from the one before while simultaneously introducing new characters and themes. Filled with breathtaking images, Ogawa provides us with a slice of life that is resplendent in its chaos, enthralling in its passion and chilling in its cruelty.
Revenge Tragedy and the Drama of Commemoration in Reforming England
Considering major works by Kyd, Shakespeare, Middleton and Webster among others, this book transforms current understanding of early modern revenge tragedy. Examing the genre in light of historical revisions to England's Reformations, and with appropriate regard to the social history of the dead, it shows revenge tragedy is not an anti-Catholic and Reformist genre, but one rooted in, and in dialogue with, traditional Catholic culture. Arguing its tragedies are bound to the age's funerary performances, it provides a new view of the contemporary theatre and especially its role in the religious upheavals of the period.
Revenge Tragedies of the Renaissance
In this study of revenge tragedies - notably by Thomas Kyd, William Shakespeare, Thomas Middleton, John Marston and John Webster - Janet Clare suggests that genres are not passively inherited, but made and re-made every time a new play is performed. The implication that there is an identifiable genre of revenge tragedy rehearsing common conventions is challenged as Clare examines Renaissance plays of revenge on their own terms. While disclosing evident inter-textual links and a similar appeal to classical material, revenge plays of the late Elizabethan and Jacobean period strive for a range of effects including satire, parody and farce. Some plays embody a providential outlook while others seem defiantly secular. Francis Bacon's famous maxim 'a kind of wild justice' captures the moral ambivalence of revenge: a rough justice on the point of anarchy. Janet Clare demonstrates the problematic nature of revenge as it defines dramatic action As the exploration of plays in this study reveals, revenge is not only bound up with justice, honour and duty, but impelled by perverted impulses, envy and resentment.
Revenge
After escaping the clutches of the narcissist you may be content to implement No Contact and stay well away from him or her forever. However, what if you want to exact revenge for the total hell you have endured as the narcissist subjected you to his or malevolent machinations? How is revenge effected against the dangerous narcissist? This book tackles in detail, from the point of view of the narcissist what a revenge campaign actually involves. It addresses the importance of adherence to the Core Principle and allows understanding of the ultimate aim of the campaign. What does revenge actually look like? Is it something you are prepared for and how do you know? What must be targeted during the revenge campaign? Most attempts at revenge fail because the Core Principle is not followed and the wrong targets are picked. In order to achieve revenge you must recognise and know how to bring down the relevant targets. This book tells you how, From helping you understand what type of narcissist you are dealing with, how they will react and the things you must not do either, this is the indispensable and insightful guide to achieving revenge over the narcissist. Fascinating reading.
Revenge Capitalism
Capitalism has become a system of economic revenge, meted out against oppressed populations around the globe.
Revenge
This brilliant recasting of the classic story The Count of Monte Cristo centers on Ned Maddstone, a happy, charismatic, Oxford-bound seventeen-year-old whose rosy future is virtually pre-ordained. Handsome, confident, and talented, newly in love with bright, beautiful Portia, his father an influential MP, Ned leads a charmed life. But privilege makes him an easy target for envy, and in the course of one day Ned’s destiny is forever altered. A promise made to a dying teacher combined with a prank devised by a jealous classmate mutates bewilderingly into a case of mistaken arrest and incarceration. Ned finds himself a political prisoner in a nightmarish exile that lasts years, until a fellow inmate reawakens Ned’s intellect and resurrects his will to live. The chilling consequences of Ned’s recovery are felt worldwide.
Revenge!
Reproduction of the original: Revenge! by Robert Barr
Civil Vengeance
What is revenge, and what purpose does it serve? On the early modern English stage, depictions of violence and carnage—the duel between Hamlet and Laertes that leaves nearly everyone dead or the ghastly meal of human remains served at the end of Titus Andronicus—emphasize arresting acts of revenge that upset the social order. Yet the subsequent critical focus on a narrow selection of often bloody "revenge plays" has overshadowed subtler and less spectacular modes of vengeance present in early modern culture. In Civil Vengeance, Emily L. King offers a new way of understanding early modern revenge in relation to civility and community. Rather than relegating vengeance to the social periphe...
The Revenge
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