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Louis Kahn
First ed. published as: Louis I. Kahn: talks with students. 1969.
Totalization
Totalization for the first time offers a comprehensive and richly illustrated insight into Rice Architect's Totalization Studios - one of the most innovative architectural teaching programs worldwide. In close collaboration with renowned consultants, four studios challenge conventions around structures, façades, materials, and the mechanical aspects of building design and construction. Through featured projects complemented by essays and conservations with faculty members and consultants, Totalization explores these studios, and interrogates how practitioners can leverage the breadth of architectural practice toward in-depth speculative design work. Architecture is the quintessential generalist pursuit. An architect's expertise, first and foremost, lies in understanding the big picture - in totalization.
Ladders
Albert Pope's 1996 seminal book Ladders is now available in a second edition. Considered a classic in the field of urbanism and one of our most requested out of print titles, Pope's provocative study of five post-war American cities examines the forces--including demographic upheavals, market expansions, and technological developments--that precipitated a change from the open system of the pre-war urban grid to the fragmented and closed spaces of suburban cul-de-sacs, expressways, and office parks. Through an incisive series of diagrams and photographs, Pope reveals the concepts, theories, and rules that have guided their organizational evolution into post architectural spaces whose character is shaped more by the effects of immense urban spaces and infrastructure than built forms. A new preface by architect and educator Pier Vittorio Aureli situates the book in the context of contemporary urban thinking and makes a compelling argument for it's continued relevance as springboard for the investigation of our contemporary cities.
House is a House is a House is a House is a House
The book brings together the work of Johnston Marklee since its founding in 1998. Reflecting on Johnston Marklee’s design process, which draws upon an extensive network of collaborators in related fields, the book is structured along a series of conversations and artist interpretations of Johnston Marklee’s buildings and projects.
The Evolving Project
Through a selection of essays from the Journal of Architectural Education (JAE) and its seventy-five-year history, this volume showcases not only the development of a single publication but also the evolution and expansion of the entire discipline. This book celebrates the rich history of the JAE which is the longest continually running peer-reviewed journal in the discipline of architecture, as a major platform for the dissemination of new pedagogical and scholarly ideas. From discourses on drawing and design processes to issues of new media and the environment, The Evolving Project is a journey in space and time that documents the changing project of architectural education after World War II--namely its transformation from a professional training ground to an intellectual platform that allowed architectural educators to boldly engage the larger social, cultural, and political issues of their time.
Rem Koolhaas:
Explaining architecture to students requires a clarity and economy of expression that is not always associated with architects; perhaps this explains the popularity of our Conversations with Students series, which are succinct, informal introductions to the works of the world's greatest architects.
Epics in the Everyday
Architecture and photography share the condition of being suspended between fine art and craft. Realism is considered a given, something that happens almost by default. From the moment it is taken, a photograph is understood to be a record of what was in front of the camera--just as a building, as soon as it is inhabited, becomes the fixed backdrop for everyday life. In Epics in the Everyday, Jes s Vassallo explores this condition, tracing a series of collaborations between architects and photographers from the postwar years up to the present. Consistently, the subject matter of these collaborations is the built environment, which presents architects and photographers--in different ways--with a mirror that challenges the idea of realism in their respective disciplines. Beyond casting a diagonal light on important developments within the two individual disciplines, the book chronicles an alternative history of both modern architecture and photography and builds a case for a specific type of realism found at their intersection.
Rice University
This collection is composed of organizational papers relating to the Scientia Institute at Rice University, the purpose of which is to promote scholarship and research in the general area of history of science and culture for the benefit of the university and Houston community. It includes copies of the organization's charter, by-laws, budgets, speakers, meeting minutes, and general information.
Seamless
During the past fifty years, documentary photography and architecture have become increasingly interdependent, blurring the disciplinary boundary between the two. Seamless looks at the work of a new generation of European photographers and architects working together to produce images of architecture made from fragments of reality. At the same time, it investigates how shared digital technologies influence the creation of architecture and its photographic representation through images. Based on a series of interviews, Seamless discusses the collaborations between Filip Dujardin and Jan De Vylder, Philipp Schaerer and Roger Boltshauser, and Bas Princen and OFFICE Kersten Geers David van Severen. Each of the three sections is illustrated with a series in images that form parallel narratives within the book. In the concluding essay, architect Jes s Vassallo pulls together the treads of the conversations to investigate questions about the impact of digital technology on the value assigned to images, how shared technological platforms enhance the influence photographers and architects have on each other, and why they have often chosen to focus on the dirty realism of the urban spaces.
