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An exploration of twentieth-century conceptions of time and their relation to artistic form. In Architectures of Time, Sanford Kwinter offers a critical guide to the modern history of time and to the interplay between the physical sciences and the arts. Tracing the transformation of twentieth-century epistemology to the rise of thermodynamics and statistical mechanics, Kwinter explains how the demise of the concept of absolute time, and of the classical notion of space as a fixed background against which things occur, led to field theory and a physics of the "event." He suggests that the closed, controlled, and mechanical world of physics gave way to the approximate, active, and qualitative ...
Far From Equilibrium ponders the complex encounters between technology, culture and architecture, offering an extended meditation on infrastructure, war, computation, the mechanical and material intelligence, and other multivariate facets of modernity. In its intensively affiliative method and far-reaching scope, Far from Equilibrium amounts to a performance in writing of what Kwinter describes (in one of the essays included) as radical anamnesis: the imagination's escape from the sterile logic of what is.
On November 27, 2012, world-renowned pastry chef Pierre Hermé arrived at Harvard University from Paris. He brought five chefs, two assistants, 600 sheets of gelatin, 150 eggs, 68 pounds of caster sugar, 40 pounds of unsalted butter, 32 pounds of cream, 25 pounds of milk chocolate couverture, 11 pounds of grated wasabi, and the alchemic techniques to transform these ingredients into an elaborate "lecture de pâtisserie." Together with Savinien Caracostea and Sanford Kwinter, he methodically deconstructed four conceptual desserts for 400 spectator-diners. The Architecture of Taste recaptures this night and the physiological effects of Hermé's pastry visions. Contributors Savinien Caracostea, Pierre Hermé, Sanford Kwinter The Incidents is a series of publications based on events that occured at the Harvard University Graduate School of Design between 1936 and tomorrow. Edited by Jennifer Sigler and Leah Whitman-Salkin Copublished with the Harvard University Graduate School of Design
Explaining architecture to students requires a clarity and economy of expression that is not always associated with architects; perhaps this explains the popularity of our Conversations with Students series, which are succinct, informal introductions to the works of the world's greatest architects.
ZONE's inaugural double issue examines the physical, political, and perceptual transformations redefining the contemporary city. These transformations are explored through historical studies of transformations in the urban system, through theoretical essays which map out the evolution of related social and economic structures (such as, the state, the family, and the factory), and through experimental art projects and critical dossiers. Some of the many contributors to this issue include: Christopher Alexander, John Baldessari, Gilles Deleuze, Peter Eisenman, Rem Koolhaas, William Labov, Michael Piore, and Paul Virilio.
0he future of the city worldwide.
In our global society, information processing transpires so quickly that it is essentially timeless, and communication systems have become indistinguishable from the act of communication itself. The medium, once the message, is now invisible, resulting in new methods for wielding power in our decentralized environment. Pandemonium explores the new techniques of control underlying our digital culture. Topics discussed include the transformation of relations between labor and machines in cybernetic and informational environments, and the reorganization of the urban fabric according to new methods of communication flow. This title is conceived as a photo roman in which the design, in collaboration with Bruce Man Design, plays as great a role as the text. It includes forewords by Lars Lerup and Bruce Man and an introduction by Sanford Kwinter.
This volume of Zone presents a diverse group of reflections and interventions on the fate of the body and of subjectivity within twentieth-century modernity. Essays, image-text projects, photographic dossiers, and philosophical and scientific articles examine the multiple emergences over the last 100 years of new models of life based on technological and biological developments, whose roots go back to the eighteenth and nineteenth centuries, but whose full expression is only beginning to emerge. These new transformations and modalities are discussed and figured in relation to an older set of models that long ago began to dissolve - the classical notions of unity, interiority, and organism. I...
Theorizes an architectural ethos of extreme self-reflection and finality from a Lacanian perspective. While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the “late avant-garde” as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, th...
This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including the impact of digital technologies on processes of architectural design, production, materiality, and representation; the implications of globalization and networks of information; the growing emphasis on sustainable and green architecture; and the phenomenon of the 'starchitect' and iconic architecture—appear against a ba...