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The History of Music Production
The History of Music Production offers an authoritative, concise, and accessible overview of nearly 140 years of production of recorded music. It describes what role the music producer has played in shaping the creation, perception, propagation, business, and use of music, and discusses the future of the music production industry.
Women, Gender, and Radical Religion in Early Modern Europe
This collection of essays explores the role of women and gender in a broad range of 'radical' religious movements of the post-Reformation.
Guide to Protein Purification
Guide to Protein Purification, Second Edition provides a complete update to existing methods in the field, reflecting the enormous advances made in the last two decades. In particular, proteomics, mass spectrometry, and DNA technology have revolutionized the field since the first edition's publication but through all of the advancements, the purification of proteins is still an indispensable first step in understanding their function. This volume examines the most reliable, robust methods for researchers in biochemistry, molecular and cell biology, genetics, pharmacology and biotechnology and sets a standard for best practices in the field. It relates how these traditional and new cutting-ed...
The Art of Music Production
In this book, veteran music producer Richard James Burgess gives readers the tools they need to understand the complex field of music production. He defines the many roles that fall to the music producer by focusing first on the underlying theory of music production, before offering a second section of practical aspects of the job.
The Medieval Chronicle VI
Annotation. Contents Contributors Preface Sophia Menache: Written and Oral Testimonies in Medieval Chronicles: Matthew Paris and Giovanni Villani Roger Scott: Byzantine Chronicles Alan Deyermond: Written by the Victors: Technique and Ideology in Official Historiography in Verse in Late-Medieval Spain.
Richard Burgess
A retelling by the author of Burgess's death-row autobiography, written in 1866 while awaiting execution for his part in the Maungatapu murders. Publication was then banned for fear of undermining public morality, and it was not fully published until 1983. Brereton has used Burgess's narrative, then existing only in a scarcely legible manuscript copy, but has not directly quoted it at length. Although considered by the Pegasus Press, this biography of one of New Zealand and Australia's most notorious criminals was never published.
Papers by Revd. Richard Burgess, read at the RIBA
MS.SP/11/13 Paper entitled `On the topography and antiquities of Constantinople', (31p., holograph), read at the RIBA on 26 June 1854.
