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The Emblem in Early Modern Europe
The emblem was big business in early-modern Europe, used extensively not only in printed books and broadsheets, but also to decorate pottery, metalware, furniture, glass and windows and numerous other domestic, devotional and political objects. At its most basic level simply a combination of symbolic visual image and texts, an emblem is a hybrid composed of words and picture. However, as this book demonstrates, understanding the precise and often multiple meaning, intention and message emblems conveyed can prove a remarkably slippery process. In this book, Peter Daly draws upon many years’ research to reflect upon the recent upsurge in scholarly interest in, and rediscovery of, emblems fol...
Literature in the Light of the Emblem
The literature of the 16th and 17th centuries was informed by the symbolic thought embodied in the mixed art form of emblems. This study explores the relationship between the emblem and the literature of England and Germany during the period.
A Guide to the Heavens
This book is available in open access thanks to the generous support of the Adam Mickiewicz University, Poznań This is the first monographic study of the reception of Herman Hugo's emblem book Pia desideria (1624) in the Polish-Lithuanian Commonwealth. It discusses ten different translations and adaptations, showing how the engravings, elegies and exegetical extracts of the original edition were used by Polish-speaking authors. Attention is also given to the reception of the engravings in paintings. Furthermore, the author examines the reasons for the book's popularity, proving that it was determined by the interest of women who did not know Latin, yet constituted the most important target group for the numerous and varied Polish adaptations.
As I Remember Fordham
This volume contains seventy-five interviews with Fordham administrators, faculty, and staff who share their rememberances of the University. The occasion for the project is Fordham's Sesquientennial celebration as the University completes its one-hundred and fiftieth year and the excerpts range from Fordham's earlier days to current events. Collectively, this book is an informal history of Fordham and its people, both as a community which is vital and growing, and a university whose past is rich in tradition. In a "Message from the President," Rev. Joseph A. O'Hare, S.J. summarizes the importance of the project in this way, "A university, like any great institution, transcends the experienc...
Emblems and Impact Volume I
The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems ent...
Saints or Devils Incarnate?
Almost from the moment the Jesuits were founded in 1540 by Ignatius of Loyola and his companions they suffered from misunderstanding, some positive, much of it negative. Myth and misinformation abounded. The Society of Jesus, the Jesuits' official name, was a society of saints or of devils incarnate. Not until the mid-twentieth century did historians begin to dispel some of the myths, but only with John O'Malley's The First Jesuits (1993) did a new era open in the study of the Society. Since then the Jesuits have attracted great attention from scholars of all disciplines on an international basis. O'Malley has continued to write about Saint Ignatius and the subsequent history of the Jesuits. This volume contains a number of such studies and presses forward the trajectory he launched two decades ago with his book.
Divine Love
In this book, visual and poetic emblems of God’s love, created by Otto van Veen and Jeanne Guyon, symbolically represent spiritual meaning and, as such, offer a gift of revealed strength and purpose to the aware reader. In our age, when love seems almost forgotten, this emblem book uniting Guyon’s poetry and D’Othon Vaenius’s illustrations give us a faithful look into what might be. What if Divine love becomes part of the human endeavor and joins to human souls? Otto van Veen and Jeanne de la Mothe Guyon internalized this hope and here reveal to us their vision of the love of God bonding and becoming one with the human soul. Translated into English for the first time here, these emblems of divine love become available to postmodern readers.
Sustaining Literature
A collection of scholarly essays by leading scholars on texts, writers, and cultural interests that represent the interests of the late scholar of the Renaissance and the 18th century, Simon Varey.
