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Over the past five years more than 25,000 Africans have arrived in Australia under the federal government's humanitatian resettlement program. Some have spent a decade or more in refugee camps in remote regions of East Africa: years of inadequate food, enforced inactivity and the threat of violence. Hundreds of thousands are still stranded in the camps. Australia is one of only a dozen western countries that resettle refugees, but how fair is the resettlement process? Does it always help the neediest of all refugees?
"The fall from power of Indonesia's President Suharto in 1998 has drawn much media and academic attention but the focus has been on the elite perspective, the role of the regime and military; little has been published on civil society, let alone gender issues." "This study, which covers the period from Suharto's fall up until the latest democratic elections in 2004, analyses the role of civil society in Indonesia's transition towards democracy. Here, the author argues that social movements are civil society's primary catalysts for change."--BOOK JACKET.
New formulations of globalisation have radically altered how people conceptualize the movement of people, ideas and capital throughout the globe, with questions of securitisation and transnational sentiment re-shaping long-standing Western concepts of asylum and human rights. Questioning the manner in which the reception of sanctuary in modern Australia changes migrants' sense of belonging, this interdisciplinary volume focuses on the disjuncture between receiving sanctuary and feeling secure in one's self and community. With emphasis on the formation and expression of migrant and refugee cultures, the book deliberately blurs the distinction between migrants and refugees, in order to engage more directly with the subjectivities of lived experience and social networks. Presenting research from the fields of sociology, media studies, politics, international relations and history, Cultures in Refuge places explores the manner in which notions of asylum and refuge affect the processes of articulating and negotiating identities.
The first full history of the first great Elizabethan play company, responsible for developing the main features of Shakespearean theatre.
The first comparative, comprehensive history of Nazi mass killing – showing how genocidal policies were crucial to the regime’s strategy to win the war Nazi Germany killed approximately 13 million civilians and other non-combatants in deliberate policies of mass murder, mostly during the war years. Almost half the victims were Jewish, systematically destroyed in the Holocaust, the core of the Nazis’ pan-European racial purification programme. Alex Kay argues that the genocide of European Jewry can be examined in the wider context of Nazi mass killing. For the first time, Empire of Destruction considers Europe’s Jews alongside all the other major victim groups: captive Red Army soldiers, the Soviet urban population, unarmed civilian victims of preventive terror and reprisals, the mentally and physically disabled, the European Roma and the Polish intelligentsia. Kay shows how each of these groups was regarded by the Nazi regime as a potential threat to Germany’s ability to successfully wage a war for hegemony in Europe. Combining the full quantitative scale of the killings with the individual horror, this is a vital and groundbreaking work.
Alison Bechdel's Fun Home: A Family Tragicomic has quickly joined the ranks of celebrated literary graphic novels. Set in part at a family-run funeral home, the book explores Alison's complicated relationship with her father, a closeted gay man. Amid the tensions of her home life, Alison discovers her own lesbian sexuality and her talent for drawing. The coming-of-age story and graphic format appeal to students. However, the book's nonlinear structure; intertextuality with modernist novels, Greek myths, and other works; and frank representations of sexuality and death present challenges in the classroom. This volume offers strategies for teaching Fun Home in a variety of courses, including l...
Lex Lu argues in Appearance Politics that crafting an appealing and powerful outward image has long been an essential political instrument in China. Its traces may be found in historical records, imperial portraits, physiognomic prognostications, photographs, posters, statues, and digital images. Employing rare archival materials from Beijing, Shanghai, and Nanjing, Lu tells the story of these political maneuverings. We learn the ways in which political actors and their agents designed their images, and we observe the shifting standards of male beauty that guided their decisions. Appearance Politics examines five case studies: the usurpation of Ming Prince Zhu Di; the rise of Manchu masculinity and its mixed standards of Han Chinese and Manchu beauty at the Yongzheng court; the use of modern photography and Western male beauty standards at the turn of the twentieth century; the making of the Republican founding father Sun Yat-sen; and the creation of visual templates of Mao Zedong. Lu's rich empirical study counters systematic stereotypical descriptions of Chinese male leadership embedded in Western media and scholarship.
War is often characterised as one percent terror, 99 per cent boredom. Whilst much ink has been spilt on the one per cent, relatively little work has been directed toward the other 99 per cent of a soldier's time. As such, this book will be welcomed by those seeking a fuller understanding of what makes soldiers endure war, and how they cope with prolonged periods of inaction. It explores the issue of military boredom and investigates how soldiers spent their time when not engaged in battle, work or training through a study of their creative, imaginative and intellectual lives. It examines the efforts of military authorities to provide solutions to military boredom (and the problem of discipl...
This book is a multi-disciplinary anthology about the role of female figures in dystopian narratives. Such female figures, from all stages of life, are often critical to these narratives, positing females as particularly powerful heroines or catalysts to action, especially in young adult manifestations, such as The Hunger Games and Divergent trilogies, among others. This book explores the totality of these rich and varied roles, from fiction to television to film. This collection will capture the interest of scholars and students in popular culture, literature, gender studies, and media, as well as fan readers and followers of genre fiction, television, and film.
This edited book provides a multi-disciplinary approach to the topics of translation and cross-cultural communication in times of war and conflict. It examines the historical and contemporary experiences of interpreters in war and in war crimes trials, as well as considering policy issues in communication difficulties in war-related contexts. The range of perspectives incorporated in this volume will appeal to scholars, practitioners and policy-makers, particularly in the fields of translating and interpreting, conflict and war studies, and military history.