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The Radio Drama Handbook
The Radio Drama Handbook combines both theory and practice to lead, stepwise, to a full understanding of radio drama form. Broken down into two large sections, the first gives the reader an overview of English language radio drama in the US and UK and explains a variety of approaches to how radio can be understood to function as a dramatic and performative medium. The second section puts the academic groundwork into practice by leading the reader through the process of developing and creating a radio script and gives an understanding of the unique techniques demanded in radio performance skills. With a wide selection of case studies and practical exercises to make the book engaging and, above all, useful, the authors analyze War of the Worlds, We're Alive: A Story of Survival, and The Terrifying Tale of Sweeney Todd! Each section will be accompanied by practical exercises and suggested activities. Practice oriented and teacher/student friendly, this handbook is sure to become the new standard for all radio drama courses.
Radio in Small Nations
This is the first title in a new series of volumes examining different dimensions of the media and culture in small nations. Whether at a local, national or international level, radio has played and continues to play a key role in nurturing or denying – even destroying – people’s sense of ‘belonging’ to a particular community, whether it be defined in terms of place, ethnicity, language or patterns of consumption. Typically, the radio has been used for purposes of propaganda and as a means of forging national identity both at home and also further afield in the case of colonial exploits. Drawing on examples of four models of, the chapters in this volume will provide an historical and contemporary overview of radio in a number of small nations. The authors propose a stimulating discussion on the role radio has played in a variety of nation contexts worldwide.
Grand-Guignol
The Théâtre du Grand-Guignol in Paris (1897 - 1962) achieved a legendary reputation as the 'Theatre of Horror' a venue displaying such explicit violence and blood-curdling terror that a resident doctor was employed to treat the numerous spectators who fainted each night. Indeed, the phrase 'grand guignol' has entered the language to describe any display of sensational horror. Since the theatre closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance. It gives full consideration to practical applications and to the challenges presented to the actor and director. The book also includes outstanding new translations by the authors of ten Grand-Guignol plays, none of which have been previously available in English. The presentation of these plays in English for the first time is an implicit demand for a total reappraisal of the grand-guignol genre, not least for the unexpected inclusion of two very funny comedies.
Terror on the Air!
The macabre world of monsters, killers on the loose and revenge from beyond the grave existed not only in the movies, but also on the radio before television's dominance in American homes. One of many distinct genres born of early broadcasting, terror-inspiring radio thrilled millions. Nearly 80 such programs, many of enduring sophistication, aired every week in the late 1940s. This first full-length study of golden age horror radio focuses on six representative programs, starting with The Witch's Tale in 1931 and ending with The Mysterious Traveler in 1952. Each chapter is a critically and historically informed study of one series. The book ends with a look at the demise of horror radio and its enduring influence. Photographs are included.
Monstrous adaptations
The fifteen groundbreaking essays contained in this book address the concept of adaptation in relation to horror cinema. Adaptation is not only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The history of the genre is full of adaptations that have drawn from fiction or folklore, or that have assumed the shape of remakes of pre-existing films. The horror genre itself also abounds with its own myriad transformations and transmutations. The essays within this volume engage with an impressive range of horror texts, from the earliest silent horror films by Thomas Edison and Jean Epstein through to important contemporary phenomena, such as the western appropriation of Japanese horror motifs. Classic works by Alfred Hitchcock, David Cronenberg and Abel Ferrara receive cutting-edge re-examination, as do unjustly neglected works by Mario Bava, Guillermo del Toro and Stan Brakhage.
Londons Grand Guignol and the Theatre of Horror
A companion to UEP’s Grand-Guignol: The French Theatre of Horror (now in its third reprint). A genre that has left more of a mark on British and American culture than we may imagine” (Gothic Studies). London’s Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy. On its side were some of the finest actors on the English stage, in the shape of Sybil Thorndike and Lewis Casson, and a team of extremely able writers, including Noël Coward. London's Grand Guignol and the Theatre of Horror considers the importance and influence of the English Grand Guignol within its...
The Hidden Hand
Paranoia with respect to Russia raged in the wake of World War II, just as Churchill had foreseen: fear of a "nuclear Pearl Harbor" and the growing challenge of political stability in Europe gripped the Western world. The advent of new and terrifying weapons of war and annihilation-atomic bombs, biological and chemical weapons, and intercontinental missiles-contributed to a pervasive atmosphere of menace in the US, Britain, and all the countries of Western Europe. And in the thick of this cold war, it was the Secret Service and its intelligence operations that took action, that was capable of creating early warning systems and making inroads in the years of the cold war. It was a time of wha...
Octave Mirbeau
Octave Mirbeau was one of the most prolific literary figures of France s storied Belle Epoque, and his innovative theatrical works are only recently being rediscovered and appreciated by modern audiences. Here for the first time in English-language translation are his two most celebrated and successful plays: "Business is Business," a classical comedy of manners recalling Moliere; and "Charity, "a satirical comedy centered around the exploitation of adolescents in a dubious charity home. In addition to the play texts, this volume also includes an introduction contextualizing the works and the translation and adaptation process."
The Theatre of Joseph Conrad
Although the dramatic dimension to Joseph Conrad's fiction is frequently acknowledged, his own experiments in drama have traditionally been marginalized. However, in all of Conrad's plays we see a distinct effort to investigate seriously the dramatic form and some of his plays are startlingly ahead of their time. Furthermore, all of the plays are adaptations and comprise One Day More , based on Tomorrow , Laughing Anne , based on Because of the Dollars, Victory: A Drama and The Secret Agent . The creation of these reveals much about the history, theory and practice of this fascinating cultural process.
Adapting Graham Greene
Graham Greene was one of the most versatile writers of the 20th century, and he remains a figure of particular interest to those concerned with the relationship between literature and cinema. As well as being a skilled screenwriter in his own right, most famously with The Third Man, Greene's fiction has proved to be a perennially popular source for adaptation, appealing to the broadest range of filmmakers imaginable. In this engaging and accessibly written study, Richard J. Hand and Andrew Purssell introduce adaptation studies and its relation to Greene's works. They present new and incisive readings of key texts, including the various screen versions of Brighton Rock, The End of the Affair ...
