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For much of the contemporary history of the Middle East, the Persian Gulf has stood at the center of the region’s strategic significance. At the same time, the Gulf has been wracked by political instability and tension. As far back as the late nineteenth and early twentieth centuries, Britain zeroed in on the Persian Gulf as a critical passageway to its crown jewel, India, and entered into protectorate agreements with local ruling families, thus bestowing on them international legitimacy and, eventually, the resources and support necessary to ascend to kingships. Today, the region is undergoing profound changes that range from rapid economic and infrastructural development to tumultuous so...
The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
The connection between regional instability and the preservation of global security is nowhere more sensitive than in the Gulf. Events since the 1990-1991 Gulf War continue to confirm the fragile interaction among states in the region and their susceptibility to external forces. Gulf Security in the Twenty-First Century brings together some of the foremost area experts to explore the most pressing issues, including military threats to the region, obstacles to economic development and socioeconomic harmonization, and challenges to political stability. In particular, the work examines Iran’s often enigmatic foreign policy vis-à-vis its Gulf neighbors, Iraq’s resurgent military threat, cho...
The Renaissance architect Andrea Palladio was one of the most influential figures that the field of architecture has ever produced. For classical architects, the term Palladian stands for a vocabulary of architectural forms embodying perfection and beauty. Of even greater significance than Palladio's buildings is his treatise I quattro libri dell'architettura (The Four Books On Architecture), the most successful architectural treatise of the Renaissance and one of the two or three most important books in the literature of architecture. First published in Italian in 1570, it has been translated into every major Western language. This is the first English translation of Palladio in over 250 ye...
The growth of princely states in early Renaissance Italy brought a thorough renewal to the old seats of power. One of the most conspicuous outcomes of this process was the building or rebuilding of new court palaces, erected as prestigious residences in accord with the new ‘classical’ principles of Renaissance architecture. The novelties, however, went far beyond architectural forms: they involved the reorganisation of courtly interiors and their functions, new uses for the buildings, and the relationship between the palaces and their surroundings. The whole urban setting was affected by these processes, and therefore the social, residential and political customs of its inhabitants. This is the focus of A Renaissance Architecture of Power, which aims to analyse from a comparative perspective the evolution of Italian court palaces in the Renaissance in their entirety. Contributors are Silvia Beltramo, Flavia Cantatore, Bianca de Divitiis, Emanuela Ferretti, Marco Folin, Giulio Girondi, Andrea Longhi, Marco Rosario Nobile, Aurora Scotti, Elena Svalduz, and Stefano Zaggia.
This book examines the promotion of the sensuous as part of religious experience in the Roman Catholic Church of the early modern period. During the Counter-Reformation, every aspect of religious and devotional practice was reviewed, including the role of art and architecture, and the invocation of the five senses to incite devotion became a hotly contested topic. The Protestants condemned the material cult of veneration of relics and images, rejecting the importance of emotion and the senses and instead promoting the power of reason in receiving the Word of God. After much debate, the Church concluded that the senses are necessary to appreciate the sublime, and that they derive from the Holy Spirit. As part of its attempt to win back the faithful, the Church embraced the sensuous and promoted the use of images, relics, liturgy, processions, music, and theater as important parts of religious experience.
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This book examines how the rulers in the Persian Gulf responded to the British announcement of military withdrawal from the Gulf in 1968, ending 150 years of military supremacy in the region. The British system in the Gulf was accepted for more than a century not merely because the British were the dominant military power in the region. The balance of power mattered, but so did the framework within which the British exercised their power. The search for a new political framework, which began when the British announced withdrawal, was not simply a matter of which ruler would amass enough military power to fill the void left by the British: it was also a matter of the Gulf rulers – chiefly Iran, Saudi Arabia, and the ruling shaykhs of the lower Gulf – coming to a shared understanding of when and how the exercise of power would be viewed as legitimate. This book explores what shaped the rulers’ ideas and actions in the region as the British system came to an end, providing a much-needed political history of the region in the lead-up to the independence of the UAE, Bahrain, and Qatar in 1971.
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