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Regeneration Through Violence
National Book Award Finalist: A study of national myths, lore, and identity that “will interest all those concerned with American cultural history” (American Political Science Review). Winner of the American Historical Association’s Albert J. Beveridge Award for Best Book in American History In Regeneration Through Violence, the first of his trilogy on the mythology of the American West, historian and cultural critic Richard Slotkin demonstrates how the attitudes and traditions that shape American culture evolved from the social and psychological anxieties of European settlers struggling in a strange new world to claim the land and displace Native Americans. Using the popular literatur...
The Magic Mirror
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The Fatal Environment
A two-time National Book Award finalist’s “ambitious and provocative” look at Custer’s Last Stand, capitalism, and the rise of the cowboys-and-Indians legend (The New York Review of Books). In The Fatal Environment, historian Richard Slotkin demonstrates how the myth of frontier expansion and subjugation of Native Americans helped justify the course of America’s rise to wealth and power. Using Custer’s Last Stand as a metaphor for what Americans feared might happen if the frontier should be closed and the “savage” element be permitted to dominate the “civilized,” Slotkin shows the emergence by 1890 of a mythos redefined to help Americans respond to the confusion and strife of industrialization and imperial expansion. “A clearly written, challenging and provocative work that should prove enormously valuable to serious students of American history.” —The New York Times “[An] arresting hypothesis.” —Henry Nash Smith, American Historical Review
Gunfighter Nation
Examines the ways in which the frontier myth influences American culture and politics, drawing on fiction, western films, and political writing
The Long Road to Antietam
A masterful account of the Civil War's turning point in the tradition of James McPherson's Crossroads of Freedom. In the summer of 1862, after a year of protracted fighting, Abraham Lincoln decided on a radical change of strategy—one that abandoned hope for a compromise peace and committed the nation to all-out war. The centerpiece of that new strategy was the Emancipation Proclamation: an unprecedented use of federal power that would revolutionize Southern society. In The Long Road to Antietam, Richard Slotkin, a renowned cultural historian, reexamines the challenges that Lincoln encountered during that anguished summer 150 years ago. In an original and incisive study of character, Slotkin re-creates the showdown between Lincoln and General George McClellan, the “Young Napoleon” whose opposition to Lincoln included obsessive fantasies of dictatorship and a military coup. He brings to three-dimensional life their ruinous conflict, demonstrating how their political struggle provided Confederate General Robert E. Lee with his best opportunity to win the war, in the grand offensive that ended in September of 1862 at the bloody Battle of Antietam.
So Dreadfull a Judgment
A classic selection of materials on Philip's War. For the newly established New England colonies, the war with the Indians of 1675–77 was a catastrophe that pushed the settlements perilously close to worldly ruin. Moreover, it seemed to call into question the religious mission and spiritual status of a group that considered itself a Chosen People, carrying out a divinely inspired "errand into the wilderness." Seven texts reprinted here reveal efforts of Puritan writers to make sense of King Philip's War. Largely unavailable since the 19th century, they represent the various divisions of Puritan society and literary forms typical of Puritan writing, from which emerged some of the most vital genres of American popular writing. Thoroughly annotated, the book contains a general introduction and introductions to each text.
Invisible Natives
This incisive, provocative, and wide-ranging book casts a critical eye on the representation of Native Americans in the Western film since the genre's beginnings. Armando José Prats shows the ways in which film reflects cultural transformations in the course of America's historical encounter with "the Indian." He also explores the relation between the myth of conquest and American history. Among the films he discusses at length are Northwest Passage, Stagecoach, The Searchers, Hombre, Hondo, Ulzana's Raid, The Last of the Mohicans, and Dances With Wolves.Throughout, Prats emphasizes the irony that the Western seems to be able to represent Native Americans only by rendering them absent. In addition, he points out that Native Americans who appear in Westerns are almost always male; Native women rarely figure into the plot, and are often portrayed by white women rendered "Indian" by narrative necessity. Invisible Natives offers an intriguing view of the possibilities and consequences—as well as the historical sources and cultural origins—of the Western's strategies for evading the actual portrayal of Native Americans.
Sinister Aesthetics
This engrossing volume studies the poetics of evil in early modern English culture, reconciling the Renaissance belief that literature should uphold morality with the compelling and attractive representations of evil throughout the period’s literature. The chapters explore a variety of texts, including Spenser’s Faerie Queene, Shakespeare’s Richard III, broadside ballads, and sermons, culminating in a new reading of Paradise Lost and a novel understanding of the dynamic interaction between aesthetics and theology in shaping seventeenth century Protestant piety. Through these discussions, the book introduces the concept of “sinister aesthetics”: artistic conventions that can make representations of the villainous, monstrous, or hellish pleasurable.
Greenhorns
From celebrated writer/historian Richard Slotkin, a cycle of stories that reads like David Bezmozgis mixed with Frank McCourt. A kosher butcher with gambling problems; a woman whose elegant persona conceals unspeakable horror; a Jewish Pygmalion who turns a wretched orphan into a "real American girl"; a boy who clings to his father's old-world code of honor on the mean streets of Brooklyn; the "little man who wasn't there," whose absence reflects his family's inability to deal with its memories--these tales of early 20th-century Jewish immigration blur memoir and fiction, recovering the violent circumstances, the emotional costs of uprooting that left people uncertain of their place in America and shaped the lives of their American descendants.
