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National Book Award Finalist: A study of national myths, lore, and identity that “will interest all those concerned with American cultural history” (American Political Science Review). Winner of the American Historical Association’s Albert J. Beveridge Award for Best Book in American History In Regeneration Through Violence, the first of his trilogy on the mythology of the American West, historian and cultural critic Richard Slotkin demonstrates how the attitudes and traditions that shape American culture evolved from the social and psychological anxieties of European settlers struggling in a strange new world to claim the land and displace Native Americans. Using the popular literatur...
Examines the ways in which the frontier myth influences American culture and politics, drawing on fiction, western films, and political writing
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Discusses the subjugation of Native Americans on the American frontier, and explains how it was used to justify American territorial expansion.
A classic selection of materials on Philip's War. For the newly established New England colonies, the war with the Indians of 1675–77 was a catastrophe that pushed the settlements perilously close to worldly ruin. Moreover, it seemed to call into question the religious mission and spiritual status of a group that considered itself a Chosen People, carrying out a divinely inspired "errand into the wilderness." Seven texts reprinted here reveal efforts of Puritan writers to make sense of King Philip's War. Largely unavailable since the 19th century, they represent the various divisions of Puritan society and literary forms typical of Puritan writing, from which emerged some of the most vital genres of American popular writing. Thoroughly annotated, the book contains a general introduction and introductions to each text.
A stunning work of historical imagination, Abe immerses the reader in the past Abraham Lincoln kept hidden: the isolating poverty and frontier violence that shaped his character. Marked by the death of his beloved mother and the struggle to keep reading and learning in the face of his father's fierce disapproval, Abe perseveres, growing into the man who changed the course of American history. Abe comes of age in the course of a dramatic flatboat journey down the Ohio and Mississippi Rivers to New Orleans. Along the way, Abe and his companions encounter slavery firsthand and experience the violence -- and the pleasures -- of rough river towns, plantations, and the cities of Natchez and New Or...
A two-time National Book Award finalist’s “ambitious and provocative” look at Custer’s Last Stand, capitalism, and the rise of the cowboys-and-Indians legend (The New York Review of Books). In The Fatal Environment, historian Richard Slotkin demonstrates how the myth of frontier expansion and subjugation of Native Americans helped justify the course of America’s rise to wealth and power. Using Custer’s Last Stand as a metaphor for what Americans feared might happen if the frontier should be closed and the “savage” element be permitted to dominate the “civilized,” Slotkin shows the emergence by 1890 of a mythos redefined to help Americans respond to the confusion and strife of industrialization and imperial expansion. “A clearly written, challenging and provocative work that should prove enormously valuable to serious students of American history.” —The New York Times “[An] arresting hypothesis.” —Henry Nash Smith, American Historical Review
From celebrated writer/historian Richard Slotkin, a cycle of stories that reads like David Bezmozgis mixed with Frank McCourt. A kosher butcher with gambling problems; a woman whose elegant persona conceals unspeakable horror; a Jewish Pygmalion who turns a wretched orphan into a "real American girl"; a boy who clings to his father's old-world code of honor on the mean streets of Brooklyn; the "little man who wasn't there," whose absence reflects his family's inability to deal with its memories--these tales of early 20th-century Jewish immigration blur memoir and fiction, recovering the violent circumstances, the emotional costs of uprooting that left people uncertain of their place in America and shaped the lives of their American descendants.
This incisive, provocative, and wide-ranging book casts a critical eye on the representation of Native Americans in the Western film since the genre's beginnings. Armando José Prats shows the ways in which film reflects cultural transformations in the course of America's historical encounter with "the Indian." He also explores the relation between the myth of conquest and American history. Among the films he discusses at length are Northwest Passage, Stagecoach, The Searchers, Hombre, Hondo, Ulzana's Raid, The Last of the Mohicans, and Dances With Wolves.Throughout, Prats emphasizes the irony that the Western seems to be able to represent Native Americans only by rendering them absent. In addition, he points out that Native Americans who appear in Westerns are almost always male; Native women rarely figure into the plot, and are often portrayed by white women rendered "Indian" by narrative necessity. Invisible Natives offers an intriguing view of the possibilities and consequences--as well as the historical sources and cultural origins--of the Western's strategies for evading the actual portrayal of Native Americans.
In this richly researched and dramatic work of military history, eminent historian Richard Slotkin recounts one of the Civil War’s most pivotal events: the Battle of the Crater on July 30, 1864. At first glance, the Union’s plan seemed brilliant: A regiment of miners would burrow beneath a Confederate fort, pack the tunnel with explosives, and blow a hole in the enemy lines. Then a specially trained division of African American infantry would spearhead a powerful assault to exploit the breach created by the explosion. Thus, in one decisive action, the Union would marshal its mastery of technology and resources, as well as demonstrate the superior morale generated by the Army of the Potom...