You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A critical reassessment of the methods of Latin textual criticism and editing, in a form accessible to non-specialists.
The papers in this volume are based on a 2018 conference in the Department of the Classics at Harvard University in honor of Richard Tarrant, Pope Professor of the Latin Language and Literature, on the occasion of his retirement. The breadth of authors, genres, periods, and topics addressed in The Lives of Latin Texts is testament to Richard Tarrant's wide-ranging influence on the fields of Latin literary studies and textual criticism. Contributions on stylistic, dramatic, metapoetic, and philosophical issues in Latin literature (including authors from Virgil, Horace, and Seneca to Ovid, Terence, Statius, Caesar, and Martial) sit alongside contributions on the history of textual transmission and textual editing. Other chapters treat the musical reception of Latin literature. Taken together, the volume reflects on the impact of Richard Tarrant's scholarship by addressing the expressive scope and the long history of the Latin language.
Ovid was one of the greatest writers of classical antiquity, and arguably the single most influential ancient poet for post-classical literature and culture. In this Cambridge Companion, chapters by leading authorities from Europe and North America discuss the backgrounds and contexts for Ovid, the individual works, and his influence on later literature and art. Coverage of essential information is combined with exciting critical approaches. This Companion is designed both as an accessible handbook for the general reader who wishes to learn about Ovid, and as a series of stimulating essays for students of Latin poetry and of the classical tradition.
Oxford Approaches to Classical Literature introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English.Horace's body of lyric poetry, the Odes, is one of the greatest achievements of Latin literature and a foundational text for the Western poetic tradition. These 103 exquisitely crafted poems sp...
The canon of classical Greek and Latin poetry is built around big names, with Homer and Virgil at the center, but many ancient poems survive without a firm ascription to a known author. This negative category, anonymity, ties together texts as different as, for instance, the orally derived Homeric Hymns and the learned interpolation that is the Helen episode in Aeneid 2, but they all have in common that they have been maltreated in various ways, consciously or through neglect, by generations of readers and scholars, ancient as well as modern. These accumulated layers of obliteration, which can manifest, for instance, in textual distortions or aesthetic condemnation, make it all but impossibl...
None
Chastity as a topic is an ideal interdisciplinary consideration since it accesses iconographical representation, the philosophical issues of purity, morality, and of innocence; the legal issues of loss and punishment, the historical issues of celibacy, and the legislation that topic evoked; as well as the role of chastity as a literary topos in Late Antiquity as well as the Middle Ages, for example, in medieval commentary traditions and within medieval vernacular literatures. The topic of Chastity, as well as its opposing characteristics, thus provides an arena for a discussion of the transmission of Ovid and the commentaries this author provoked in the Middle Ages, the interpretation of images illustrating legal texts, cross-cultural enquiries, such as the reciprocity between Christian, Muslim, and Judaic interpretations of temperance, continence, and abstinence, and the theological-legal issue of “God’s rights” (in excising Adam and Eve from the Garden of Eden). Contributors: Nancy van Deusen; Frank T. Coulson; Marcia L. Colish; Uta-Renate Blumenthal; Thérèse-Anne Druart; Claudia Bornholdt; Susan L’Engle; Cristian Gaspar; and Rafael Chodos.
Helena Taylor explores responses to the life of the ancient Roman poet, Ovid, within the charged atmosphere of seventeenth-century France. She investigates how the figure of Ovid was used to debate literary taste and modernity, and in doing so offers a fresh perspective on classical reception: its paradoxes, uses, and quarrels.
This volume completes Donald Hill's distinguished edition of the Metamorphoses. Of the previous volume it was said: 'It is all we could hope for, with excellent translation, fuller understanding from the notes and an extensive bibliography. The text is attractively and conveniently laid out, with Latin and translation en face. The translation is in blank verse for the English reader while being stimulating and thought-provoking for the Latinist. The notes too make interesting reading at any level, with a vast store of information from a multitude of sources...' - LACT.
Presents stimulating chapters on Virgil and his reception, offering an authoritative overview of the current state of Virgilian studies.