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Double Take
"Seventy pairs of photographs, ranging in date from the earliest days of the medium to the present, document instances where, by direct influence or pure coincidence, two photographers were drawn to identical or very similar subjects. Though alike in content, the photographs within the pairs are strikingly different - unique in their formal and technical details and in the varying perceptions they describe." -- Cover flap.
The Barefoot Book of Pirates
Everyone on the west coast of Ireland recognized her, for she was famous across land and sea.
Indelible Memories
None
Self-Reliance
A finely honed abridgement of Emerson's principal essays with an introduction that clarifies the essence of Emerson's ideas and establishes their relevance to our own troubled era. This is the first truly accessible edition of Emerson's work, revealing him to be one of America's wisest teachers.
Slightly Out Of Focus
In 1942, a dashing young man who liked nothing so much as a heated game of poker, a good bottle of scotch, and the company of a pretty girl hopped a merchant ship to England. He was Robert Capa, the brilliant and daring photojournalist, and Collier’s magazine had put him on assignment to photograph the war raging in Europe. In these pages, Capa recounts his terrifying journey through the darkest battles of World War II and shares his memories of the men and women of the Allied forces who befriended, amused, and captivated him along the way. His photographs are masterpieces — John G. Morris, Magnum Photos’ first executive editor, called Capa “the century’s greatest battlefield photographer” — and his writing is by turns riotously funny and deeply moving. From Sicily to London, Normandy to Algiers, Capa experienced some of the most trying conditions imaginable, yet his compassion and wit shine on every page of this book. Charming and profound, Slightly Out of Focus is a marvelous memoir told in words and pictures by an extraordinary man.—Print Ed.
Stieglitz on Photography
Mia Spiro's Anti-Nazi Modernism marks a major step forward in the critical debates over the relationship between modernist art and politics. Spiro analyzes the antifascist, and particularly anti-Nazi, narrative methods used by key British and American fiction writers in the 1930s. Focusing on works by Djuna Barnes, Christopher Isherwood, and Virginia Woolf, Spiro illustrates how these writers use an "anti-Nazi aesthetic" to target and expose Nazism’s murderous discourse of exclusion. The three writers challenge the illusion of harmony and unity promoted by the Nazi spectacle in parades, film, rallies, and propaganda. Spiro illustrates how their writings, seldom read in this way, resonate w...
The Great Escape
Extravagantly praised by critics and readers, this stunning story by bestselling author Kati Marton tells of the breathtaking journey of nine extraordinary men from Budapest to the New World, what they experienced along their dangerous route, and how they changed America and the world. This is the unknown chapter of World War II: the tale of nine men who grew up in Budapest's brief Golden Age, then, driven from Hungary by anti-Semitism, fled to the West, especially to the United States, and changed the world. These nine men, each celebrated for individual achievements, were part of a unique group who grew up in a time and place that will never come again. Four helped usher in the nuclear age and the computer, two were major movie myth-makers, two were immortal photographers, and one was a seminal writer. The Great Escape is a groundbreaking, poignant American story and an important untold chapter of the tumultuous last century.
Cornell Capa
Cornell Capa the photographer has long been overshadowed by Cornell Capa the founder and director of the International Center of Photography, New York, and by Cornell Capa the brother of Robert Capa. This beautiful cloth-bound book, filled with 27 of his most intelligent, compassionate, formally striking images, promises to bring the photographer his due. He once told Camera magazine, "Single photographs are not what I do best. My most effective work is groups of photographs which hang together and tell stories." Nevertheless, the pictures included here sum up and transcend those stories. Imbued with the very essence of the specifics they portray, yet simultaneously resonant with universal human experience, they mark Cornell Capa as what he called "a concerned photographer."
The Box of Demons
Ben Robson can't remember a time before he had the box, with its three mischief-making demon occupants: smelly, cantankerous Orf, manically destructive Kartofel and fat, slobbering greedy-guts Djinn. When Ben was a kid it was fun, and he enjoyed their company. Now that he's 12, they're nothing but trouble. Then one day Ben has an angelic visitor who tells him that he can be rid of the box forever if he sends it back to hell. There's only one catch--the box has other plans.
About to Die
Due to its ability to freeze a moment in time, the photo is a uniquely powerful device for ordering and understanding the world. But when an image depicts complex, ambiguous, or controversial events--terrorist attacks, wars, political assassinations--its ability to influence perception can prove deeply unsettling. Are we really seeing the world "as it is" or is the image a fabrication or projection? How do a photo's content and form shape a viewer's impressions? What do such images contribute to historical memory? About to Die focuses on one emotionally charged category of news photograph--depictions of individuals who are facing imminent death--as a prism for addressing such vital questions. Tracking events as wide-ranging as the 1906 San Francisco Earthquake, the Holocaust, the Vietnam War, and 9/11, Barbie Zelizer demonstrates that modes of journalistic depiction and the power of the image are immense cultural forces that are still far from understood. Through a survey of a century of photojournalism, including close analysis of over sixty photos, About to Die provides a framework and vocabulary for understanding the news imagery that so profoundly shapes our view of the world.
