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When Richard Whiteley died in June 2005, he was mourned by a nation. A tribute to a charismatic man, this work reveals thepersonality behind the television presenter - the successes, the tragedies and the laughter. It shows us the real Richard.
When Richard Whiteley died on 26 June 2005, he was mourned by a nation. But there was more to this engaging and 'bumbling' character than met the eye. Kathryn Apanowicz first dated Richard Whiteley when she was seventeen, leading to a thirty-year on-off relationship that saw them finally living together for seven years until his death. Kathryn knew the private side of Richard that he kept hidden: the women in his life; his anguish at the deaths of his mother, sister and niece within months of each other; his thoughts on the celebrities he met; his time as a political reporter and journalist (he interviewed every British Prime Minister since Harold Macmillan); his pride in Countdown; the moment he received his OBE and his unfailing charity work. In this affectionate and warm tribute to a self-effacing and charismatic man, Kathryn Apanowicz reveals the personality behind the television presenter - the successes, the tragedies and the laughter. For the first time Kathryn shows us the real Richard, a man who everyone thought they knew but only a few ever really did.
'A face like a cartoonist's suicide note' A.A. Gill, Sunday TimesRichard Whiteley was the first person to appear on Channel 4 on Tuesday 2nd November 1982. With the words "As the countdown to the launch of a new channel ends, a new Countdown begins". Nobody was to know, of course, that the new face on the channel was still to be there 17 years later, and that Countdown would be dominating the channels Top Ten ratings. Richard Whiteley is known for his jackets and his puns - opinion is divided as to which is worse. However he is regarded as a cult figure among a broad section of society. He has appeared in such shows as Hale and Pace, TFI Friday, Shooting Stars, Light Lunch, Mrs Merton, Fantasy Football, received a 'Gotcha' from Noel Edmonds and is constantly on the receiving end of Terry Wogan's gentle mockery. He most recently appeared on McCoist and MacAuley and 'The Greatest Rory Ever Told', as himself and as Carol Vordeman. He was the hit of the Edinburgh Fringe this year with his one man show... 'If you like Alan Partridge you'll love Richard Whiteley. Singing along with the Countdown theme and pretending to be the Countdown clock was a stroke of brilliance.' Independent
When Richard Whiteley died in 2005, he was mourned by a nation. He had been the face of teatime television for many years. But the wordplay and wit shown on Countdown hid a tenacious political journalist who had interviewed every Prime Minister from Macmillan to Blair. Kathryn Apanowicz went on her first date with Richard when she was seventeen. They had an on-off relationship over the years, finally living together for the last eight years before his death. In this intimate retelling of his life and their years together, we get to see the man behind the laughter for the first time.
The Celestine Prophecy for the workplace, this is an engrossing fable about tapping into the unconscious mind as a source of creativity, power and change in the corporate world.
A controversial period in American history as revealed through one man's personal and political experiences
Customer satisfaction is now the buzz word on every executive's lips. This book, based on the Forum Corporation's in-depth research, provides any manager with a proven, step-by-step program for investigating, promoting, measuring, and rewarding the product and service excellence that leads to true customer loyalty. With both leadership techniques and problem-solving tools, this is the most practical book ever written on giving the customer what the customer wants.
Too Much Too Young investigates how age and gender have shaped the careers and images of pop music stars, examining the role of youth and youthfulness in pop music through a series of themed case studies. Whiteley begins by investigating the exploitation of child stars such as Brenda Lee and Michael Jackson, offering a psychoanalytic reading of the relationship between child star and oppressive manager, and looks at the current glut of boy- and girl- bands and stars in the mold of Britney Spears to examine the continuing fatal attraction of stardom for adolescents. Whiteley then considers the star images of female singer-songwriters Kate Bush, Tori Amos, and Bjork, whose 'little girl' voices...
Explains how businesses can use a customer-oriented approach that can enhance profits and corporate success, discussing five effective strategies and fifteen assessment and planning tools