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Healing at the Movies
Popcorn tub ready. Phone on silent. Back reclined. Lights dim. Let the magic begin! The Indian cinema has a power over us like no other. Be it the cast, the songs, the story, or the message, film-viewing as an experience is much more than just for ‘entertainment, entertainment, and entertainment’. Be it a good movie or bad, we love to discuss, debate, and analyse. There is no denying that they stay with us for a long time, because bade-bade deshon mein aisi chhoti-chhoti baatein hoti rehti hain. Healing at the Movies is a book about cinema and its impact on us. Apart from the glitz, the glamour, and the sparkle, films can subconsciously influence our thoughts and how we react to situatio...
Fifth World Congress on Disaster Management: Volume V
World Congress on Disaster Management (WCDM) brings researchers, policy makers and practitioners from around the world in the same platform to discuss various challenging issues of disaster risk management, enhance understanding of risks and advance actions for reducing risks and building resilience to disasters. The fifth WCDM deliberates on three critical issues that pose the most serious challenges as well as hold the best possible promise of building resilience to disasters. These are Technology, Finance, and Capacity. WCDM has emerged as the largest global conference on disaster management outside the UN system. The fifth WCDM was attended by more than 2500 scientists, professionals, policy makers, practitioners all around the world despite the prevalence of pandemic.
Dwelling in the Archive
Through an analysis of the writings of three 20th century Indian women, this book explores how the memoirs, fictions, and histories written by women can be read as counter-narratives of colonial modernity.
Information and Communication Technology for Intelligent Systems
This book gathers papers addressing state-of-the-art research in all areas of information and communication technologies and their applications in intelligent computing, cloud storage, data mining and software analysis. It presents the outcomes of the Fourth International Conference on Information and Communication Technology for Intelligent Systems, which was held in Ahmedabad, India. Divided into two volumes, the book discusses the fundamentals of various data analysis techniques and algorithms, making it a valuable resource for researchers and practitioners alike.
Pearl River Mansion
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Business Today
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Don't Disturb the Dead
Everyone knows about the Ramsays - even those who have never watched a Ramsay film. But who were they really? Where did they come from? Why did they make the films they did? And how? How, really, did they pull it off? In India, the Ramsay name remains synonymous with horror movies. Still, all these decades later.Don't Disturb the Dead is the story of their cinema, their methods and madnesses, the people and the processes, arguments and agreements, about horror cinema as a business model, and more. It is also an open-minded and affectionate ode to the 'disreputable' Ramsay films, and to a family that was once a genre in itself, one whose contribution to cinema deserves to be recognized.
Bollywood Does Battle
War is part of the story of the Indian nation; its presence in India's past continues to shape the Indian present and future. The 1962 China war, the 1971 Bangladesh war and the 1999 Kargil conflict all play outsized roles in the Indian popular imagination. The Indian film industry's war movies play an acute role in representing this aspect of Indian history; Samir Chopra's fascinating book takes a closer look at these movies' emotionally charged depictions of Indian military history. It examines classics of the war movie genre -- from Haqeeqat, Border and Hindustan Ki Kasam to Vijeta, LOC Kargil, Lakshya and The Ghazi Attack to see what they reveal and illuminate about the relationship of the Indian nation to war. Chopra thus enquires into how these movies establish popular Indian understandings of patriotism, militarism and nationalism and reinforce supposed 'Indian' values through their cinematic representations of war. This is a must-read for anyone interested in the relationship of Indian films to Indian culture and history.
