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Communicating Knowledge Visually presents a timely, in-depth examination of information design pioneer, Will Burtin. Using a methodical approach, the authors analyze Burtin's way of working and nine of his seminal projects, including his exhibitions for The Upjohn Company and diagrams for SCOPE magazine.Excerpts taken from Burtin's unpublished writing offer insight into his thinking process and explain how he transformed complex scientific information into easy, accessible visual forms. Scientists, designers, educators and students will gain valuable knowledge from Burtin's unique design approach in meeting the current challenges of communicating complexity in their respective fields.
Images from Science 3 (IFS 3) is the companion text to an exhibition showcasing full color scientific images ranging from the intricate beauty of a frozen snow crystal to the interaction of T-cells fighting cancer. The images invite readers to view examples of wide-ranging techniques in science photography, videography, and illustration that reveal science in unique new ways. IFS 3 presents 71 image makers whose work was selected by an international panel of judges. Each image is accompanied by a brief description of the technical equipment and process used to capture it.
"This book documents the dynamic creative process--from concept to construction--that realized this ... contemporary sculpture at RIT ... a ... collaboration of artistic vision, engineering skill, and a university's dedication to supporting the arts"--Back cover.
"Josephine Tota (1910-1996) was a seamstress and amateur artist who lived a conventional life among the Italian immigrant community in Rochester, New York. In her seventies, she spent countless hours painting in the privacy of her home, where she imbued over ninety small jewel-like paintings with the richness of her strange imagination. Tota captured and condensed anxieties accumulated over a lifetime. Her formidable paintings reference myriad art-historical and popular culture sources medieval illuminated manuscripts, early Renaissance panel paintings, the work of Surrealist icons Frida Kahlo and Salvador DalĂ, fairy tales, and children s book illustrations into private images of startling immediacy and timelessness. Tota s work cannot be defined as entirely mainstream, self-taught, visionary, or surreal. It is this powerful body of work dozens of untamed paintings in egg tempera and gilding on board, completed at the end of her life that The Surreal Visions of Josephine Tota explores and advocates for inclusion into the canon of self-taught, visionary art."--from Backcover
The Aries Press was an American private press founded by Spencer Kellogg, Jr., in the 1920s. A second-generation millionaire and supporter of the arts, Kellogg was influenced by the Arts and Crafts movement. Though little known today, the Aries Press produced exceptional examples of fine printing. Richard Kegler documents its colorful history accompanied by fine illustrations and samples from the Press.
Up Against the Wall: Art, Activism, and the AIDS Poster offers nearly 200 examples of visually arresting and socially meaningful posters, taken from more than 8,000 held in the collection in the University of Rochester's River Campus Libraries' Department of Rare Books, Special Collections, and Preservation. The collection, one of the largest of its kind in the world, was donated to the University of Rochester by Dr. Edward Atwater. The book accompanies an exhibition of AIDS education posters displayed at the Memorial Art Gallery of the University of Rochester, Rochester, NY.The posters, spanning the years from 1982 to the present, show how social, religious, civic, and public health agencies have addressed the controversial, often contested terrain of the HIV/AIDS pandemic within the public realm. Organizations and creators tailored their messages to audiences, both broad and very specific, and used a wide array of strategies, employing humor, emotion, scare tactics, simple scientific explanations, sexual imagery, and many other methods to communicate powerfully and effectively.
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The ease with which we can choose a typeface today is something we take for granted, but it is possible only because of the tremendous amount of labor of the Bentons.
The first monograph on the work of a groundbreaking artist in stained glass.