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Both are based on the Mahabharata. The first one narrates the story of Draupadi. She was married to the five royal Pandava brothers and her humiliation at the hands of the Kauravas, the cousins of her husbands and rivals for the throne, is depicted. The second play reveals the tragedy of the royal women, Satyavati, the three abducted princesses, Amba, Ambika and Ambalika, the queens Kunti and Gandhari, and the daughters-in-law, Draupadi, Subhadra and Uttara. Both the plays are one-woman performances in the tradition of kathakatha, dramatised storytelling that uses live music. By subverting traditional theatre and the gendering of the stories, Mitra's plays challenge the audience's views of 'decorum'.
Published on the occasion of the artist's solo exhibition at CIMA Gallery 10 Feb.-11 Mar., 2006; includes his interview and reproductions of some paintings.
This book maps South Asian theatre productions that have contextualised Ibsen’s plays to underscore the emergent challenges of postcolonial nation formation. The concerns addressed in this collection include politico-cultural engagements with human rights, economic and environmental issues, and globalisation, all of which have evolved through colonial times and thereafter. This book contemplates why and how these Ibsen texts were repeatedly adapted for the stage and consequently reflects upon the political intent of this appropriative journey of the foreign playwright. This book tracks the unmapped agency that South Asian theatre has acquired through aesthetic appropriation of Ibsen and thereby contributes to his global reception. This collection will be of great interest to students and scholars of theatre and performance studies.
Based on an exhibition organized by Centre of International Modern Art, Kolkata, in association with Lalit Kala Akademi, New Delhi, held in New Delhi; includes reproductions of the works exhibited.
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