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Ossi Wessi
Ossi Wessi includes the proceedings of the fourteenth annual Interdisciplinary German Studies Conference at the University of California, Berkeley (2006), which explored issues surrounding the Berlin Wall, both pre- and post-reunification, in language, literature, and visual media. The collected articles discuss the situation of the Berlin Wall, describing its portrayal as both a dividing and uniting boundary, and often discussing the continued existence of the Wall in the minds of Germany’s citizens. The multi-disciplinary range of approaches contained in this volume reveals how diverse the portrayals of the history of the Wall have been, as well as how controversial the division of Germany remains today. Topics covered in this collection include Wende Literature and film, linguistic changes and attitudes since 1989, the complicated history of the Neo-Nazis, and the visual arts. Although Ossi Wessi is by no means a comprehensive reference work, each of its essays serve as a though provoking springboard for further research.
Home Screens
How do film and television makers around the world depict public housing? Why is public housing so often chosen as the backdrop for drama, horror, social critique, rebellion, violence, artistic creativity, explorations of race relations and political intrigue? Home Screens answers these questions by examining the ways in which socialized housing projects around the world are represented on screen. The volume brings together a diverse group of interdisciplinary scholars, who explore documentary and fictional portrayals of the architecture of public housing, and the communities that inhabit it, ranging from the 1950s to the present. Examining international film and media texts such as Die Architekten (1990), Swagger (2016), Cooley High (1975), Mee-Pok Man (1995), Treme (2010–2013), Mamma Roma (1962), The Pruitt-Igoe Myth (2011), and Below the Lion Rock (1972–1976), essays within this book consider public and private attitudes toward socialised housing, explaining how onscreen representations shape perceptions of these ubiquitous, often-stigmatized urban locations.
The German Cinema Book
This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.
第十五屆香港國際電影節
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Die Architekten
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Spur der Filme
Am 17. Mai 1946 wurde in Potsdam-Babelsberg die DEFA als erste deutsche Filmproduktionsgesellschaft nach dem Krieg gegründet. Bis zu ihrem Ende 1992 entstanden über 700 Filme fürs Kino und rund 540 fürs Fernsehen. Darunter waren Filme, die als Kunstwerke Bestand haben werden, aber auch solche, die politisch benutzt wurden und heute eher als Zeitdokumente gelten. Im vorliegenden Band erzählen über 70 Mitwirkende aus allen Bereichen, vom Regisseur bis zur Maskenbildnerin, von ihren Hoffnungen und Enttäuschungen, den Widrigkeiten und Annehmlichkeiten ihrer Arbeit. Aus mehr als 400 Stunden Interviews der DEFA-Stiftung, des Filmmuseums Potsdam und von Zeitzeugen TV entstand eine authentische Innensicht darüber, wie in der DDR Filme gemacht wurden
Leben in der DDR: Zur filmischen Darstellung des Alltags im Sozialismus
Das Ziel der Untersuchung ist es, herauszufinden, welchen Anteil historische und aktuelle Filme an dem heute vorherrschenden Bild der DDR haben und inwiefern sie dadurch Einfluss auf das kulturelle Gedächtnis der Gesellschaft nehmen können. Bei der Darstellung der DDR in den Medien berücksichtigte man bisher kaum die individuellen Wahrnehmungen und persönlichen Erlebnisse der Menschen, die dort lebten. Für die eigene Identitätsbildung ist jedoch das gemeinsame Erinnern wichtig. Obwohl die DDR nicht nur ein Teil der privaten Erinnerungen einzelner Bürger, sondern auch des öffentlichen Gedächtnisdiskurses ist, schenkte man ihr bisher wenig Aufmerksamkeit. Daher versucht dieses Buch di...
