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Song of Rita Joe
Here is the enlightening story of an esteemed and eloquent Mi’kmaq woman whose message of “gentle persuasion” has enriched the life of a nation. Rita Joe is celebrated as a poet, an educator, and an ambassador. In 1989, she accepted the Order of Canada “on behalf of native people across the nation.” In this spirit she tells her story and, by her example, illustrates the experiences of an entire generation of aboriginal women in Canada. Song of Rita Joe is the story of Joe’s remarkable life: her education in an Indian residential school, her turbulent marriage, and the daily struggles within her family and community. It is the story of how Joe’s battles with racism, sexism, poverty, and personal demons became the catalyst for her first poems and allowed her to reclaim her aboriginal heritage. Today, her story continues: as she moves into old age, Joe writes that her lifelong spiritual quest is ever deepening.
I Lost My Talk
Stolen Words I Am Not A Number When We Were Alone I'm Finding My Talk by Rebecca Thomas
The Blind Man's Eyes
With over 100 of her best poems plus George Elliott Clarke's essay on the achievement of Rita Joe, The Blind Man's Eyes confirms Joe's place in Canadian literature. From a homeless child who led a blind beggar door-to-door, Rita Joe emerged as spokesperson for her nation and for the individual's heart. Her much anthologized poems and rare autobiography have riveted her message to the Canadian conscience, revealing both the Mi'kmaq people and the universal artist's heart of this Elder.
Song of Eskasoni
"I was born in Whycocomagh in 1932. When mother died in 1937 there were many foster homes until I was twelve years old. I put myself into the Indian Residential School in Shubenacadie, Nova Scotia. That school plays an important part in my life, along with native upbringing by many mothers. My education is by my people - I have a front seat to see and feel their needs, the major one being that we, too, live with ideal productiveness. The label is deeply rooted and the stroke of a native pen does wonders, especially for the coming generation. The importance of my country is why I try to portray the Indian as they are, so that others may see the part we play in our society. If I get too sentimental in my choice of words, excuse me. I have to call attention to the gentle peopleof Canada. My song is gentle, bear with me. I still want to offer my hand in friendship, the Indian of today." - Rita Joe
For the Children
Born in 1932, in Whycocomagh, RITA JOE lived a hardscrabble existence, from foster home to foster home, experiences that helped her decide to admit herself to Shubenacadie Indian Residential School, a place most Mi'kmaq people had come to dread. It was a rare example of the child choosing Shubie, "to better myself," to get an education. That same determination compelled her to write about her personal combination of traditional Mi'kmaw spiritualism and Catholic faith, carrying forward her 'gentle war'. Her last poem, unfinished, was found in her typewriter when she died in March 2007.
Lnu and Indians We're Called
With this collection, celebrated poet and Micmac Indian, Rita Joe, expands uponher desire to communicate gently with her own people, and reach out to the wider community of Canadians. On the eve of the 500th Anniversary of Columbus' arrival in the Americas, Rita Joe once again extends her hand to us in friendship, and reminds us of the native culture that was here long before the Europeans. These new poems compel us to listen.
I''m Finding My Talk
Former Halifax Poet Laureate and second-generation residential school survivor Rebecca Thomas writes honestly and powerfully in this companion piece to Rita Joe's I Lost My Talk. Includes vibrant illustrations from Mi?kmaw artist Pauline Young.
We are the Dreamers
None
I'm Not What I Seem
Rita MacNeil has long been recognized as one of the East Coast's great singer-songwriters. As a young girl with the dream of becoming a singer, she overcame a series of seemingly insurmountable obstacles and achieved success by believing in herself and refusing to give up. A trailblazer, Rita played an integral role in the women's movement in Canada and forged a path that was unique to her, paving the way for future generations of east coast musicians. Charlie Rhindress first came to know Rita as he collaborated with her on his play Flying on Her Own, incorporating more than twenty of her songs into a script that told the story of her life. For this new biography, Rhindress did extensive research and interviewed many of the people who worked with her and knew her best. The story of a strong, sensitive, complex woman emerged and the result is a powerful and moving portrait of a unique woman and important artist of her times.
