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This definitive biography gives a brilliant account of the life and art of Robert Duncan (1919–1988), one of America’s great postwar poets. Lisa Jarnot takes us from Duncan’s birth in Oakland, California, through his childhood in an eccentrically Theosophist household, to his life in San Francisco as an openly gay man who became an inspirational figure for the many poets and painters who gathered around him. Weaving together quotations from Duncan’s notebooks and interviews with those who knew him, Jarnot vividly describes his life on the West Coast and in New York City and his encounters with luminaries such as Henry Miller, Anaïs Nin, Tennessee Williams, James Baldwin, Paul Goodman, Michael McClure, H.D., William Carlos Williams, Denise Levertov, Robert Creeley, and Charles Olson.
This volume in the Collected Writings of Robert Duncan series gathers a far-reaching selection of Robert Duncan’s prose writings including most of his longer and more well-known essays along with other prose that has never been widely available. Ranging in original publication dates between 1940 and 1985, the forty-one titles reveal a great deal about Duncan’s life in poetry—including his impressions of poets whose work he admires, both contemporaries and precursors. Evocative and eclectic, this work delineates the intellectual contexts and sources of Duncan’s poetics, and opens a window onto the literary communities in which he participated.
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This book examines three historical phases of the poet Robert Duncan's writing within the aesthetic and philosophical context of a pragmatist sublime. The author traces Duncan's poetics of process - which like process philosophy is predicated on conditions of change and plenitude - to the pragmatist tradition of William James, John Dewey, and Alfred North Whitehead. Working from this theoretical framework, and using the archival resources of the Robert Duncan Collection housed in the University of Buffalo's Poetry Collection, James Maynard examines Duncan's understanding of excess in relation to poetry.
This volume presents the complete correspondence between two of the most important and influential American poets of the postwar period. The almost 500 letters range widely over the poetry scene and the issues that made the period so lively and productive. But what gives the exchange its special personal and literary resonance is the sense of spiritual affinity and shared conviction about the power of the visionary imagination. Duncan and Levertov explore these matters in rich detail until, under the stress of dealing with the Vietnam War in poetry, they discover deep-seated differences in the religious and ethical convictions underlying their politics and poetic stance. The issues that drew them together and those that drove them apart create a powerful personal drama with far-reaching historical and cultural significance. The editors have provided a critical Introduction, full notes, a chronology, and a glossary of names.
Collis and Lyons (Simon Fraser University, Canada) enlist US and a few international contributors in English, American studies, and poetry to probe the poetry of Robert Duncan. Part 1 traces a variety of Duncan's influences and derivations. Some topics include textual poetics and the politics of reading in Duncan's "Night Scenes," and poetic abdication in Duncan and Laura Riding. Part 2 examines poets who in some way derive from Duncan, with discussion of quotation in the poetry of Duncan and Ronald Johnson, Jerome Rothenberg and the dream of "A Poetry of All Poetries," and anarchism and the practice of derivative poetics in Duncan and John Cage. Annotation ©2013 Book News, Inc., Portland, OR (booknews.com).
Through its comprehensive history of post-war queer writing in Boston and San Francisco from the 1940s through the 21st century, Never By Itself Alone provides a new view of queer history. Grundy intertwines analysis of lesbian, gay, and queer literature of the time, centering voices which have not yet before been explored in existing criticism. The book elevates the underrepresented work of writers of color and those with gender-nonconforming identities, underscores the link between activism and literature, and insists upon the vital importance of radical accounts of race, class and gender in any queer studies worthy of the name
Erika thought America would let freedom reign forever but nine years after the Great Quake the reaction by the American Government was quite different. The Day after Disaster brought hardships to the world. The American citizens fought valiantly to bring back some sense of normalcy in a world that was shaken to bits. Many people were left landless and those still in possession of land had many obligation to fulfill for the citizens left fighting for their lives. Erika and her family are just another group left landless and forced to find their way in this new government construct. They are caught between a yearning for the freedoms they used to take for granted and a will to fit in and excel in this new landscape. However, Mother Nature will always have the last word and she isn't done yet.