You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This first-hand account of a seminal Canadian crisis challenges the notion that civil rights and political liberties were unjustifiably restricted.
Recipient of the 2005 Governor General's Literary Award in non-fiction, Quand la nation débordait les frontières is considered the most comprehensive analysis of Lionel Groulx's work and vision as an intellectual leader of a nationalist school that extended well beyond the borders of Québec. For over five decades, historians and intellectuals have defined the nationalist discourse primarily in territorial terms. In this regard, Groulx has been portrayed—more often than not—as the architect of Québecois nationalism. Translated by Ferdinanda Van Gennip, A Nation Beyond Borders will continue to spark debate on Groulx's description of the parameters of the French-Canadian nation. Highlighting the often neglected role of French-Canadian minorities in his thought, this book presents the Canon as an uncompromising advocate of solidarity between all French-Canadian communities.
None
An examination of the effects of dams on the environment, Aboriginal peoples, and the war effort.
Far more than a bibliographic account of the major works in Canadian Studies, Interdisciplinary Approaches to Canadian Society provides a broad examination of the state of this growing field of study. Each chapter stresses the importance of the interdisciplinary and multidisciplinary approaches which have come to characterize Canadian Studies. Also, in an unprecedented collaborative effort, almost all the chapters are jointly authored by anglophone and francophone scholars. The works on Quebec and the francophone community respect the distinct nature of this facet of Canada. As stated in the introduction, this work is "a primer in the field and a guide to further pursuits. Its users will welcome it as a friendly introduction to an exciting country."
A systematic examination of language policies in Canada based on domestic and international comparisons.
This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America. This book makes a major and original contribution to the fields of Indigenous visual arts, professional curatorial practice, graduate-level curriculum development, and academic research. The contributors expand, create, establish and define Indigenous theoretical and methodological approaches for the production, discussion, and writing of Indigenous art histories. Bringing together scholars, curators, and artists from across the intersecting fields of Indigenous art history, critical museology, cultural studies, and curatorial practice, the companion promotes the study and dissemination of Indigenous art and stimulates new conversations on such key areas as visual sovereignty and self-determination; resurgence and resilience; land-based, embodied, and nation-specific knowledges; epistemologies and ontologies; curatorial and museological methodologies; language; decolonization and Indigenization; and collaboration, consultation, and mentorship.
In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-nat...