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Dear Old Nebraska U
Unforgettable people. Beloved places. Enduring memories. From its beginning in 1869 as a land-grant institution on the edge of the prairie, the University of Nebraska–Lincoln has expanded the frontiers of opportunity for nearly three hundred thousand graduates. This lavishly illustrated volume celebrates Nebraska’s first 150 years with a look back at the alumni, faculty, and staff whose work has made an enduring impact on the world, from Willa Cather’s Pulitzer Prize–winning literature to James Van Etten’s groundbreaking research in virology. This book also highlights the iconic buildings and landmarks on campus and the activities and experiences of students, from the East Campus D...
Haunted: the Strange and Profound Art of Wright Morris
He skipped his senior year at college to go to Europe, where he was befriended by a Countess, was kept a prisoner in a castle by a mad Count, and almost met Mussoliniclose enough to land him in an Italian jail. Wright Morris returned to the States and went on to become probably the most experimental American novelist of the last century. He ended up with almost every award and prize that a novelist can earn, and his work was praised over and over again by many of our most prestigious critics. In addition to publishing thirty-four books, he was also an eminent photographer. He not only had his work shown in numerous museums and galleries around the country, but his photographs were also displayed throughout five photo-text booksa form that he pioneered.
Vanished Act
Critic, novelist, filmmaker, jazz musician, painter, and, above all, poet, Weldon Kees performed, practiced, and published with the best of his generation of artists—the so-called middle generation, which included Robert Lowell, Elizabeth Bishop, and John Berryman. His dramatic disappearance (a probable suicide) at the age of forty-one, his movie-star good looks, his role in various movements of the day, and his shifting relationships with key figures in the arts have made him one of the more intriguing—and elusive—artists of the time. In this long-awaited biography, James Reidel presents the first full account of Kees’s troubled yet remarkably accomplished life. Reidel traces Keesâ€...
Prairie University
Founded in 1869, the University of Nebraska was given the awesome responsibility of educating a new state barely connected by roads and rail lines. Established as a comprehensive university, uniting the arts and sciences, commerce and agriculture, and open to all regardless of "age, sex, color, or nationality, " it has as its motto Literis dedicata et omnibus artibus-dedicated to letters and all the arts. The University at first was confined to four city blocks and didn't have a building until 1871. Cows grazed the campus. But soon the high aspirations of the state began to be realized. Nebraska boasted the first department of psychology west of the Mississippi River, and its faculty include...
The Passionate Spectator
Insightful essays on art and poetry by the acclaimed writer, critic, and curator
Their Own Frontier
Biographers describe the struggles and contributions of female scholars researching Indians of the American West in the early 1900s.
Uneasy Alliance
Uneasy Alliance illuminates the recent search in literary studies for a new interface between textual and contextual readings. Written in tribute to G.A.M. Janssens, the twenty-one essays in the volume exemplify a renewed awareness of the paradoxical nature of literary texts both as works of literary art and as documents embedded in and functioning within a writer’s life and culture. Together they offer fresh and often interdisciplinary perspectives on twentieth-century American writers of more or less established status (Henry James, Edna St. Vincent Millay, E.E. Cummings, Vladimir Nabokov, Flannery O’Connor, Saul Bellow, Michael Ondaatje, Toni Morrison and Sandra Cisneros) as well as o...
The Humane Particulars
Of particular interest, the correspondence documents a largely unexplored aspect of Burke's career--his reciprocally influential relationship with the writers of the late modern and midcentury periods.
Gertrude Stein and the Making of Jewish Modernism
Challenging the assumption that modernist writer Gertrude Stein seldom integrated her Jewish identity and heritage into her work, this book uncovers Stein’s constant and varied writing about Jewish topics throughout her career. Amy Feinstein argues that Judaism was central to Stein’s ideas about modernity, showing how Stein connects the modernist era to the Jewish experience.  Combing through Stein’s scholastic writings, drafting notebooks, and literary works, Feinstein analyzes references to Judaism that have puzzled scholars. She reveals the never-before-discussed influence of Matthew Arnold as well as a hidden Jewish framework in Stein’s epic novel The Making of Americans. In S...
