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Stefan George (1868-1933) was one of the most important and influential poets to have written in German. In this first full biography of George to apear in any language, Robert E. Norton traces the poet's life and rise to fame.
Robert E. Norton offers the first comprehensive study in any language devoted to Ernst Troeltsch (1865-1923) and his activities during the First World War. Troeltsch was one of the most famous figures of his day, a renowned historian, philosopher, sociologist, and theologian. But he did not just comment on events, he also actively served in a number of public roles before, during, and after the war. Throughout the last decade of his life, Troeltsch was a central participant in many of the most significant political debates and struggles that took place in his country, and in the process he became one of the most forceful and committed proponents of democracy in Germany. Tracing the gradual rise and growth of democratic thought during the war, Robert E. Norton shows how democracy itself emerged as the pivotal question within German domestic politics around which everything else came to revolve. In this process, Ernst Troeltsch emerged as one of the most eloquent and persuasive voices advocating for democracy and peace, and always promoting the ideals of freedom and human dignity for all peoples.
Stefan George (1868–1933) was one of the most important and influential poets to have written in German. His work, in its originality and impact, easily ranks with that of Goethe, Holderlin, or Rilke. Yet George's reach extended far beyond the sphere of literature. Particularly during his last three decades, George gathered around himself a group of men who subscribed to his homoerotic and idiosyncratic vision of life and sought to transform that vision into reality. George considered his circle to be the embodiment and defender of the "real" but "secret" Germany, opposed to the false values of contemporary bourgeois society. Some of his disciples, friends, and admirers were themselves his...
For many eighteenth-century European philosophers and writers, the beautiful soul was a symbol of enlightened humanity, carrying with it the possibility that aesthetic beauty and moral goodness would be fused in a new, indivisible unity. In the first book in English on the subject, Robert E. Norton follows the fortunes of this cultural icon, exploring the reasons for both its initial popularity and its subsequent decline as a cultural ideal during the Enlightenment. Tracing the emergence of the notion of moral beauty as it first appears in the late seventeenth and early eighteenth centuries, Norton maintains that the attempt to combine the good and the beautiful was a response to the rise of...
The only English translation of a crucial interpretation of Nietzsche
CD-ROM contains: Seven author-written programs. -- Examples and figures. -- Problem solutions. -- TKSolver Files. -- Working Model Files.
The movement to make medicine more scientific has evolved over many decades but the specific term evidence-based medicine was introduced in 1990 to refer to a systematic approach to helping doctors to apply scientific evidence to decision-making at the point of contact with a specific consumer.
In this robust, informal book, Robert E. Pike tells the colorful story of logging and log-driving in New England. The New England loggers and river drivers were a unique breed of men. Working with their axes and peaveys through Maine, New Hampshire, and Vermont, they contributed mightily to the development of the United States. The daily life of the loggers was hard — working in deep icy water fourteen hours a day, sleeping in wet blankets, eating coarse food, and constantly risking their lives. Their pay was very low, yet they were proud to call themselves loggers. When they came out of the woods after the spring drives, they ebulliently spent their pay carousing in the staid New England ...
This book explores the contradictions of biography. It charts shifting approaches to the writing and reading of biographies, from post-hagiographical attitudes of the Enlightenment, heroic biographies of Romanticism and irreverent modernist portraits through to contemporary experiments in politically committed and hybrid forms of life writing. The book shows how biographical texts in fact destabilise the models of historical visibility, cultural prominence and narrative coherence that the genre itself seems to uphold. Addressing the fraught relationships between genre and gender, private and public, image and text, life and narrative that play out in the modern biographical tradition, Metabiography suggests new possibilities for reading, writing and thinking about this enduringly popular genre.