Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Warners Wiseguys
As three of the most prominent actors of the early studio system, James Cagney, Edward G. Robinson, and Humphrey Bogart played an unparalleled role in the rise of the Warner Brothers Studio. These "Warners Wiseguys" are now virtually synonymous with the studio's era of gritty gangster films. This study of their interwoven studio-contract careers highlights the similarities of their personalities and their struggles with harsh typecasting. It details and comments critically on each of their combined 112 Warners films. Complete with commentary from the author and other film buffs. An appendix provides a filmographic guide to the films discussed, including lists of primary actors, release dates, directorial credits, and running times for each film.
Reinforced Concrete Basics
Intended for courses on the Analysis and Design of Reinforced Concrete Structures found in undergraduate Civil and Structural Engineering Departments. This text will also be of use to practising designers. Reinforced Concrete Basics is a book on analysis and design of reinforced concrete structures, starting with the fundamentals followed by the developing of advanced approaches. It contains the material needed for both undergraduate and postgraduate courses in reinforced concrete and for practising engineers. In preparing the text, the authors provide an understanding of structural behaviour before undertaking any quantitative analysis. Examples are introduced at an early stage in the development of each topic. Readers can use the examples as exercises to test their understanding as they proceed with their study of the material.
Concrete Structures
Concrete Structures provides an easy-to-understand, integrated and comprehensive treatment of the behaviour, analysis and design of reinforced concrete and prestressed concrete structures. Concrete Structures is the definitive Australia textbook on concrete structures for students and professionals.
Encyclopedia of Recorded Sound
First Published in 2005. The Encyclopedia of Recorded Sound, 2nd edition, is an A to Z reference work covering the entire history of recorded sound from Edison discs to CDs and MP3. Entries range from technical terms (Acoustics; Back Tracking; Quadraphonic) to recording genres (blues, opera, spoken word) to histories of industry leaders and record labels to famed recording artists (focusing on their impact on recorded sound). Entries range in length from 25-word definitions of terms to 5000 word essays. Drawing on a panel of experts, the general editor has pulled together a wealth of information. The volume concludes with a complete reference bibliography and a deep index.
Dissertation Abstracts
Abstracts of dissertations and monographs in microform.
The Lost One
The first full biography of this major actor draws upon more than 300 interviews, including conversations with directors Fritz Lang, Alfred Hitchcock, Billy Wilder, John Huston, Frank Capra, and Rouben Mamoulian, who speak candidly about Lorre, both the man and the actor.
The Fountainheads
Speculation abounds about the relationship between Frank Lloyd Wright and Ayn Rand. Was Wright the inspiration for Howard Roark, the architect hero of Rand's The Fountainhead? What can be made of their collaboration on the book's failed 1944 movie adaptation, and what can be gleaned from the 1949 Hollywood production of The Fountainhead? Where does the FBI--Wright was dubbed a communist sympathizer, and Rand was called before the House Un-American Activities Committee--fit into the story? Art, architecture, philosophy, film and politics come together in this exploration, which relies on the writings of Wright and Rand, FBI files, visual evidence and more to cement their connection. Chapters ...
Somewhere in the Night
Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fic...
