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Freedom and Responsibility in Russian Literature
Robert Louis Jackson has long been recognized on both sides of the Atlantic as one of the foremost Dostoevsky scholars in the world. Freedom and Responsibility in Russian Literature collects twenty essays by distinguished scholars (many former students of Jackson's) and admiring colleagues on some of the foremost questions in Russian studies. Whatever the specific topic, these essays manifest a determination to exercise the critical independence and integrity exemplified by Jackson throughout his long career.
Twentieth Century Interpretations of Crime and Punishment
A slender volume in which several international critics write their opinions and interpretations of this classic Russian novel.
Close Encounters
Drawing on the prose, poetry, and criticism of a broad range of Russian writers and critics, including Pushkin, Turgenev, Dostoevsky, Tolstoy, Chekhov, Bakhtin, Gorky, Nabokov, and Solzhenitsyn, Close Encounters: Essays on Russian Literature explores themes of chance and fate, freedom and responsibility, beauty and disfiguration, and loss and separation, as well as concepts of criticism and the moral purpose of art. Through close textual analysis, the author offers a view of the unity of form and content in Russian writing and of its unique capacity to disclose the universal in the detail of human experience. With an emphasis on Dostoevsky, Close Encounters foregrounds ethical and spiritual concerns of Russian writers and stimulates the reader to pursue his or her own critical exploration of Russian literature. This work will be of interest to academic libraries, university students, and specialists in literature, criticism, philosophy, and esthetics, as well as enthusiastic general readers of Russian literature.
A New Word on The Brothers Karamazov
Clear and compelling new readings of Dostoevsky's last and greatest novel.
The Art of Dostoevsky
"Robert Louis Jackson considers Dostoevsky's powerful but much neglected Notes from the House of the Dead the seminal work of his post-Siberian period and critical to an interpretation of his art from 1861-1881. He projects this work as an artistic embodiment of a Christian poetics of insight and transfiguration. Breaking new ground, he explores the interrelated social, moral, aesthetic, psychological, and philosophical problems that absorbed Dostoevsky in his prison masterpiece and shows how these same motifs unite and shape many of his subsequent novels and short stories."--Jacket.
Essays on Anton P. Chekhov
This long awaited collection brings together in one volume the definitive essays on Anton Chekhov by renowned Chekhov scholar Robert Louis Jackson, including work that has never appeared in English as well as brand new essays published here for the first time. The volume offers a series of “slow” readings that yield insight after exquisite insight. They also model fruitful ways of discerning the rich complexity of Chekhov’s deceptively simple work. The volume’s introduction by Robin Feuer Miller captures beautifully what Jackson undertakes in his careful scrutiny of Chekhov’s text. The editor’s afterword by Cathy Popkin includes passages from the editorial correspondence in which...
American Elsewhere
From one of our most talented and original new literary voices comes the next great American supernatural novel: a work that explores the dark dimensions of the hometowns and the neighbors we thought we knew. Some places are too good to be true. Under a pink moon, there is a perfect little town not found on any map: Wink, New Mexico. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things. After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different . . . "Perfect for fans of Stephen King and Neil Gaiman." -- Library Journal
Dostoevsky's Underground Man in Russian Literature
This book analyzes the impact of Dostoevsky's Notes from the Underground (1864) and its protagonist, the Underground Man, upon Russian literature. It is concerned with the different ways in which Russian writers responded to Notes from the Underground, with the whole complex of underground psychology, philosophy, and imagery. The basic assumption of this work is that the great impact of Dostoevsky on Russian literature was due not alone to the great power of his art, but to the continuing urgency of the problems he posed in his works. These problems, centering on the relations between the individual and society, have lost none of their relevance today, not only in Russia but also in the West.
