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Sources and Analogues of the Canterbury Tales
The publication of this volume completes the new edition of the sources and major analogues of all the Canterbury Tales prepared by members of the New Chaucer Society. This collection, the first to appear in over half a century, features such additions as a fresh interpretation of Chaucer's sources for the frame of the work, chapters on the sources of the General Prologue and Retractions, and modern English translations of all foreign language texts, with glosses for the Middle English. Chapters on the individual tales contain an updated survey of the present state of scholarship on their source materials. Several sources and analogues discovered during the past fifty years are found here to...
Sources and Analogues of the Canterbury Tales
Long-awaited companion to the highly acclaimed first volume.
Sources and Analogues of the Canterbury Tales
A new two-volume edition of the sources and major analogues of all the Canterbury Tales prepared by members of the New Chaucer Society. This collection, the first to appear in over half a century, features such additions as a fresh interpretation of Chaucer's sources for the frame of the work, chapters on the sources of the General Prologue and Retractions, and modern English translations of all foreign language texts. Chapters on the individual tales contain an updated survey of the present state of scholarship on their source materials. Several sources and analogues discovered during the past fifty years are found here together for the first time, and some other familiar sources are re-edited from manuscripts closer to Chaucer's copies. Volume I includes chapters on the Frame and the tales of the Reeve, Cook, Friar, Clerk, Squire, Franklin, Pardoner, Melibee, Monk, Nun's Priest, Second Nun and Parson. Chapters on the other tales, together with the General Prologue and Retractions will appear in Volume Two. ROBERT M. CORREALE teaches at Wright State University, Ohio; MARY HAMEL teaches at Mount St Mary College, Maryland,
The Fellowship of the Beatific Vision
In The Canterbury Tales, Geoffrey Chaucer asks a basic human question: How do we overcome tyranny? His answer goes to the heart of a revolutionary way of thinking about the very end of human existence and the nature of created being. His answer, declared performatively over the course of a symbolic pilgrimage, urges the view that humanity has an intrinsic need of grace in order to be itself. In portraying this outlook, Chaucer contributes to what has been called the "palaeo-Christian" understanding of creaturely freedom. Paradoxically, genuine freedom grows out of the dependency of all things upon God. In imaginatively inhabiting this view of reality, Chaucer aligns himself with that other great poet-theologian of the Middle Ages, Dante. Both are true Christian humanists. They recognize in art a fragile opportunity: not to reduce reality to a set of dogmatic propositions but to participate in an ever-deepening mystery. Chaucer effectively calls all would-be members of the pilgrim fellowship that is the church to behave as artists, interpretively responding to God in the finitude of their existence together.
Sources and Analogues of the Canterbury Tales
"This edition ... contains the sources and major analogues of Chaucer's works (some re-edited from manuscripts closer to his own copies) together with discoveries from the past half-century, some of which have not previously appeared together in print. Special features in this new enterprise include a fresh interpretation of Chaucer's sources for the frame of the work, and modern English translations of all non-English texts; chapters on the individual tales contain an updated survey of the present state of scholarship on their source material".--BOOKJACKET.
Shame and Guilt in Chaucer
Explores the representation of emotions as psychological concepts and cultural constructs in Geoffrey Chaucer's narrative poetry. McTaggart argues that Chaucer's main works including The Canterbury Tales are united thematically in their positive view of guilt and in their anxiety about the desire for sacrifice and vengeance that shame can provoke.
Historians on Chaucer
Historians on Chaucer brings together 25 experts in the history of fourteenth-century England to discuss one of the most famous works of Middle English literature--Geoffrey Chaucer's 'General Prologue' to the Canterbury Tales--in relation to the economic change, social issues, and religious controversies of the period.
Medievalia et Humanistica, No. 36
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 36—Reviews—emphasizes new research in the field, with a particu...
Chaucer’s Ethical Philosophy
Chaucer’s Ethical Philosophy argues that Chaucer's fictions engage with the most urgent questions of modern political and moral philosophy. Close analysis of Troilus and Criseyde, the Canterbury Tales, and the Book of the Duchess reveals the ways in which Chaucer anticipates modern philosophical debates, using his fictions to explore the ethics of subjectivity and recognition, agency and moral responsibility; concerns that Chaucer experimentally formulated and discomposed across his works are amongst those that most animate and trouble contemporary ethical philosophy. This book places Chaucer in close dialogue not only with medieval philosophy and theology, and his great European literary ...
