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Sources and Analogues of the Canterbury Tales
"This edition ... contains the sources and major analogues of Chaucer's works (some re-edited from manuscripts closer to his own copies) together with discoveries from the past half-century, some of which have not previously appeared together in print. Special features in this new enterprise include a fresh interpretation of Chaucer's sources for the frame of the work, and modern English translations of all non-English texts; chapters on the individual tales contain an updated survey of the present state of scholarship on their source material".--BOOKJACKET.
The Fellowship of the Beatific Vision
In The Canterbury Tales, Geoffrey Chaucer asks a basic human question: How do we overcome tyranny? His answer goes to the heart of a revolutionary way of thinking about the very end of human existence and the nature of created being. His answer, declared performatively over the course of a symbolic pilgrimage, urges the view that humanity has an intrinsic need of grace in order to be itself. In portraying this outlook, Chaucer contributes to what has been called the "palaeo-Christian" understanding of creaturely freedom. Paradoxically, genuine freedom grows out of the dependency of all things upon God. In imaginatively inhabiting this view of reality, Chaucer aligns himself with that other great poet-theologian of the Middle Ages, Dante. Both are true Christian humanists. They recognize in art a fragile opportunity: not to reduce reality to a set of dogmatic propositions but to participate in an ever-deepening mystery. Chaucer effectively calls all would-be members of the pilgrim fellowship that is the church to behave as artists, interpretively responding to God in the finitude of their existence together.
Historians on Chaucer
Historians on Chaucer brings together 25 experts in the history of fourteenth-century England to discuss one of the most famous works of Middle English literature--Geoffrey Chaucer's 'General Prologue' to the Canterbury Tales--in relation to the economic change, social issues, and religious controversies of the period.
Medievalia et Humanistica, No. 36
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 36—Reviews—emphasizes new research in the field, with a particu...
Ethics and Medievalism
Essays on the modern reception of the Middle Ages, built round the central theme of the ethics of medievalism.
Women's Genealogies in the Medieval Literary Imagination
Uncovering the many striking female alternatives to patrilineal narratives in medieval texts, Emma O. Bérat explores strategies of writing and illustration that creatively and purposefully depict women's legacies. Genealogy, used to justify a character's present power and project it onto the future, was crucial to medieval political, literary, and historical thought. While patrilineage often limited women to exceptional or passive roles, other genealogical forms that represent and promote women's claims are widespread in medieval texts. Female characters transmit power through book patronage and reading, enduring landmarks, and international travel, as well as childbearing and succession. These flexible – if messy – genealogies reflect the web of political, biological, and spiritual relations that frequently characterized elite women's lives. Examining hagiography, chronicles, genealogical rolls, and French, English, and Latin romances, as well as associated codices and images, Bérat highlights the centrality of female characters and historical women to this fundamental aspect of medieval consciousness.
Reading Chaucer in Time
This book tracks how concepts of reading developed within Italian texts (including Dante's Vita nova, Boccaccio's Filostrato and Teseida, and Petrarch's Seniles) impress themselves upon Chaucer's Troilus and Criseyde and Canterbury Tales.
The Oxford Handbook of Chaucer
This handbook addresses Chaucer's poetry in the context of several disciplines, including late medieval philosophy and science, Mediterranean culture, comparative European literature, vernacular theology and popular devotion.
Medieval Into Renaissance
Essays on topics of literary interest crossing the boundaries between the medieval and early modern period.
The Canterbury Tales: Seventeen Tales and the General Prologue (Third Edition) (Norton Critical Editions)
“This book has been more helpful to the students—both the better ones and the lesser ones—than any other book I have ever used in any of my classes in my more than a quarter century of university teaching.” —RICHARD L. KIRKWOOD, University of Wisconsin–Eau Claire This Norton Critical Edition includes: • The medieval masterpiece’s most popular tales, including—new to the Third Edition—The Man of Law’s Prologue and Tale and The Second Nun’s Prologue and Tale. • Extensive marginal glosses, explanatory footnotes, a preface, and a guide to Chaucer’s language by V. A. Kolve and Glending Olson. • Sources and analogues arranged by tale. • Twelve critical essays, seven...
