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Robert Torrance's wide-ranging, innovative study argues that the spiritual quest is rooted in our biological, psychological, linguistic, and social nature. The quest is not, as most have believed, a rare mystical experience, but a frequent expression of our most basic human impulses. Shaman and scientist, medium and poet, prophet and philosopher, all venture forth in quest of visionary truths to transform and renew the world. Yet Torrance is not trying to reduce the quest to an "archetype" or "monomyth." Instead, he presents the full diversity of the quest in the myths and religious practices of tribal peoples throughout the world, from Oceania to India, Africa, Siberia, and especially the Americas. In theorizing about the quest, Torrance draws on thinkers as diverse as Bergson and Piaget, van Gennep and Turner, Pierce and Popper, Freud, Darwin, and Chomsky. This is a book that will expand our knowledge—and awareness—of a fundamental human activity in all its fascinating complexity.
His new translation of Dantes INFERNO with a Foreword on The Poet and the Poem; an individual note briefly recapitulating each of the 34 Cantos and explaining names and terms important for the readers understanding; and an Epilogue on the ascent to the Terrestrial Paradise reflects long familiarity with this medieval classic and assumes, as the Preface emphasizes, that far from being an inaccessibly distant monument, it speaks compellingly to contemporary readers both through graphic portrayal of horrors all too familiar to our own age, and by vividly presenting its central character (who is at once the 14th-century Florentine Dante Alighieri and each one of us traveling the journey of our l...
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This companion volume to T. F. Torrance's Incarnation: The Person and Life of Christ presents the material on the work of Christ, centered in the atonement, given originally in his lectures delivered to his students in Christian Dogmatics on Christology at New College, Edinburgh, from 1952-1978.
This first anthology of its kind presents the wonder, passion, and inspiration of diverse writings about the natural world. Starting from earliest times, ENCOMPASSING NATURE integrates a wide range of texts--mythical, religious, poetic, philosophical, and scientific--chosen for variety, literary quality, and historical importance. This landmark work broadens the frame of reference for nature writing.
Delivered in St. Giles, Edinburgh, in 1589, the sacramental doctrine of Bruce's sermons has passed into the very soul of the Church to which he was so touchingly devoted and which he so steadfastly served. --
This examination of the heroic journey in world mythology casts the protagonist as a personification of nature--a "botanical hero" one might say--who begins the quest in a metaphorical seed-like state, then sprouts into a period of verdant strength. But the hero must face a mythic underworld where he or she contends with mortality and sacrifice--embracing death as a part of life. For centuries, humans have sought superiority over nature, yet the botanical hero finds nothing is lost by recognizing that one is merely a part of nature. Instead, a cyclical promise of continuous life is realized, in which no element fully disappears, and the hero's message is not to dwell on death.
The book is basically athematic study of R.K. Nrayans novels and a reference to his short stories has been made only in passing. The major themes that emerge from Narayans novels are love and marriage or man woman relationship family relationships under scoring the father son relationship socio cultural and political scene of the country during the last fifty years and the Hindu ethos highlighting renunciations as an ideal of the Hindu way of life. For the first time the major themes of Narayans novels have been clearly worked out and the identity of Malgudi has been convincingly established by the author.
This timely book explores how Buddhist-inflected thought has enriched contemporary American literature. Continuing the work begun in The Emergence of Buddhist American Literature, editors John Whalen-Bridge and Gary Storhoff and the volume's contributors turn to the most recent developments, revealing how mid-1970s through early twenty-first-century literature has employed Buddhist texts, principles, and genres. Just as Buddhism underwent indigenization when it moved from India to Tibet, to China, and to Japan, it is now undergoing that process in the United States. While some will find literary creativity in this process, others lament a loss of authenticity. The book begins with a look at ...