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Every Boy Needs a Dad The author has stepped into his own past to reflect upon how a youthful mind begins wondering about life. Who can a son turn to? Dad...who is put on the spot and finds his authority challenged by thoughts and expressions of his son's closest friend and his father, and he has to grapple with conflict when their influence clashes with Dad's perceptions and views. The young boy's observations are imbedded into his subconscious and begins to form him as a unique person. Award-winning poet Robert Russell Marquardt takes another provocative step into your world in this delightful and amusing dialogue between a father and his young son, complimenting his other newly-released book: it's me... Rodney, a bold attempt at overhearing daily conversations between a brash but genuine young man and God. You will enjoy these digressions from the author's poetic form in his previously-published works from Authorhouse.
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Vols. 34- contain official N.A.P.E. directory.
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Why are some acts but not others perceived to be fair? How do people who experience unfairness respond toward others held accountable for the unfairness? This book reviews the theoretical organizational justice literature and explores how the research on justice applies to various topics in organizational behaviour including personnel selection systems, performance appraisal and the role of fairness in resolving workplace conflict. Organizational Justice and Human Resource Management considers justice in organizations within a new framework - Fairness Theory - which integrates previous work in this area by focusing on accountability for events with negative impact on material and psychological well-being.
The text is an alphabetical list of the grooms' last names, followed by their first and middle names, the brides' family name, first and middle names. The date of the wedding is also included, as well as the location of the information in the courthouse records.
Upon his arrival in Hollywood, Alfred Hitchcock began work on his first American film, an adaptation of Daphne du Maurier’s best-selling novel. Produced by David O. Selznick and featuring compelling performances by Laurence Olivier, Joan Fontaine, and Judith Anderson, Rebecca became one of Hitchcock’s most successful films. It was nominated for eleven Academy Awards and received the Oscar for Best Picture, the only Hitchcock work to be so honored. Without question, one of the reasons for the film’s success is its ninety minutes of dramatic musical underscoring by Franz Waxman. In Franz Waxman’s Rebecca: A Film Score Guide, David Neumeyer and Nathan Platte situate the score for this c...