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Cecil B. DeMille's Hollywood
A look at the wide-ranging work of the Golden Age genius who made The Ten Commandments and other blockbusters—and helped found the American film industry. Cecil B. DeMille’s Hollywood is a detailed and definitive chronicle of the director’s screen work that changed the course of film history—and a fascinating look at how movies were actually made in Hollywood’s Golden Age. Drawing extensively on DeMille’s personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of DeMille the filmmaker that goes behind studio gates and beyond DeMille’s legendary persona. In his forty-five-year career DeMille’s box-office record was unsurpassed, and his swagg...
Early Universal City
Known as much today for its theme park, Universal City is also the largest and the longest continuously operating movie studio in "Hollywood." The Universal Film Manufacturing Company was formed by a dozen independent producers in 1912, and Universal City was designed to provide a single facility in which to make their films. Since its official opening on March 15, 1915, Universal City has served as a training ground for great directors such as John Ford, William Wyler, and James Whale and as home to stars like Hoot Gibson, Deanna Durbin, Boris Karloff, Bela Lugosi, Lon Chaney Sr. and Jr., and Tom Mix. This evocative volume explores the studio that brought The Hunchback of Notre Dame (1923), The Phantom of the Opera (1925), All Quiet on the Western Front (1930), Dracula (1930), Frankenstein (1931), and 100 Men and a Girl (1936) to the screen.
Silent-era Filmmaking in Santa Barbara
Between 1910 and 1921, the American Film Company was one of the fledgling movie industry’s most successful studios, with production facilities in Santa Barbara and business offices in Chicago. Nicknamed for its distinctive winged “A” logo, the “Flying A” produced nearly 1,200 films, starring such favorites of the day as Mary Miles Minter, J. Warren Kerrigan, Wallace Reid, and King Baggot. The company’s rather patriotic motto invited patrons to “See Americans first.” The studio’s films also documented the picturesque and developing Pacific seaside community of Santa Barbara and served as a training ground for some of Hollywood’s greatest directors, including Allan Dwan, Henry King, Victor Fleming, Frank Borzage, George Marshall, William Desmond Taylor, and Marshall Neilan.
Cecil B. DeMille
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The Amazing Tom Mix
The Amazing Tom Mix The Most Famous Cowboy of the Movies Tom Mix was a town marshal and cowboy in the Oklahoma Territory, a rodeo champion and a wild west show performer. With his devil-may-care attitude, quick wit and penchant for doing breath-taking stunts on his wonder horse, Tony, Tom Mix went on to become the #1 movie cowboy of silent films, earning millions of dollars at a time when movie tickets cost pennies. While he basked in this incredible acclaim, Tom Mix lived in fear that his deep, dark secrets would be discovered and his career and his cherished heroic image would be destroyed. Celebrated author Richard D. Jensen has spent more than 30 years researching the life of Tom Mix, th...
Congressional Record
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Bible in/and Popular Culture
In popular culture, the Bible is generally associated with films: The Passion of the Christ, The Ten Commandments, Jesus of Montreal, and many others. Less attention has been given to the relationship between the Bible and other popular media such as hip-hop, reggae, rock, and country and western music; popular and graphic novels; animated television series; and apocalyptic fantasy. This collection of essays explores a range of media and the way the Bible features in them, applying various hermeneutical approaches, engaging with critical theory, and providing conceptual resources and examples of how the Bible reads popular culture—and how popular culture reads the Bible. This useful resource will be of interest for both biblical and cultural studies. The contributors are Elaine M. Wainwright, Michael Gilmour, Mark McEntire, Dan W. Clanton Jr., Philip Culbertson, Jim Perkinson, Noel Leo Erskine, Tex Sample, Roland Boer, Terry Ray Clark, Steve Taylor, Tina Pippin, Laura Copier, Jaap Kooijman, Caroline Vander Stichele, and Erin Runions.
Steven Spielberg
Until the first edition of Steven Spielberg: A Biography was published in 1997, much about Spielberg's personality and the forces that shaped it had remained enigmatic, in large part because of his tendency to obscure and mythologize his own past. But in this first full-scale, in-depth biography of Spielberg, Joseph McBride reveals hidden dimensions of the filmmaker's personality and shows how deeply personal even his most commercial work has been. This new edition adds four chapters to Spielberg's life story, chronicling his extraordinarily active and creative period from 1997 to the present, a period in which he has balanced his executive duties as one of the partners in the film studio Dr...
The Fox Film Corporation, 1915-1935
In 1929, Hollywood mogul William Fox (1879-1952) came close to controlling the entire motion picture industry. His Fox Film Corporation had grown from a $1600 investment into a globe-spanning $300 million empire; he also held patents to the new sound-on-film process. Forced into a series of bitter power struggles, Fox was ultimately toppled from his throne, and the studio bearing his name would merge in 1935 with Darryl F. Zanuck's flourishing 20th Century Pictures. The 25-year lifespan of the Fox Film Corporation, home of such personalities as Theda Bara, Tom Mix, Janet Gaynor and John Ford, is chronicled in this thorough illustrated history. Included are never-before-published financial figures revealing costs and grosses of Fox's biggest successes and failures, and a detailed filmogaphy of the studio's 1100-plus releases, among them What Price Glory?, Seventh Heaven and the Oscar-winning Cavalcade.
