You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This pioneering study of Afro-American narrative is far more critical, historical, and textual than biographical, chronological, and atextual. Robert Stepto asserts that Afro-American culture has its store of canonical stories or pregeneric myths, the primary one being the quest for freedom and literacy. This second edition includes a new preface and an afterward entitled "Distrust of the Reader in Afro-American Narratives."
Henry Louis Gates, Jr., Harvard University --
Collected interviews with the Nobel Prize winner in which she describes herself as an African American writer and that show her to be an artist whose creativity is intimately linked with her African American experience
Provides an examination of the American dream in classic literary works.
The weekly source of African American political and entertainment news.
The new edition of the groundbreaking chronicle of forty years of black music in America
Blue as the Lake maps out an African-American landscape unique in American literature. From Idlewild, the black resort on Lake Michigan where he vacationed as a child with his grandparents, to Oak Bluffs on Martha's Vineyard, Robert Stepto traces a history of generations finding and making a home. His family lore careens through American history- we meet a black regiment in World War I; legendary jazz musician Coleman Hawkins, and Inabel Burns, pioneering feminist and great-granddaughter of slaves. Beautifully and intimately rendered, Stepto's memoir is a stunning meditation on what it means to be American.
In Habitations of the Veil, Rebecka Rutledge Fisher uses theory implicit in W. E. B. Du Bois's use of metaphor to draw out and analyze what she sees as a long tradition of philosophical metaphor in African American literature. She demonstrates how Olaudah Equiano, Frances Ellen Watkins Harper, Zora Neale Hurston, Richard Wright, and Ralph Ellison each use metaphors to develop a critical discourse capable of overcoming the limits of narrative language to convey their lived experiences. Fisher's philosophical investigations open these texts to consideration on ontological and epistemological levels, in addition to those concerned with literary craft and the politics of black identity.
This revision of the acclaimed and widely assigned Norton Critical Edition of Frederick Douglass’s great autobiography Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself includes key examples of literary and cultural analyses that have engaged scholars over the last three decades. This Norton Critical Edition includes: - Frederick Douglass’s 1845 Narrative, the most influential autobiography of its kind. - A preface and explanatory footnotes by William L. Andrews and William S. McFeely. - Contemporary perspectives by Douglass, Margaret Fuller, James Monroe Gregory, and Elizabeth Cady Stanton. - Essays by William L. Andrews, William S. McFeely, Henry Louis Gates, Jr., Deborah E. McDowell, Houston A. Baker, Jr., Jeannine Marie DeLombard, and Robert D. Richardson, Jr. - A Chronology and a Selected Bibliography.