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You Are an Artist is for everyone who wants to be an artist, but has been too afraid to take the plunge. It combines a thought-provoking meditation on art practice with a series of practical exercises and creative provocations that encourage everyone to fulfil their potential as an artist. The book is itself a kind of art school, helping the reader to work out what kind of artist they are, and what they can achieve. Drawing on the authors experience as an art school teacher, it playfully adapts the methods of art education, mixing these with the sideways approach to creativity popularized by the authors activist campaigns. Smith provides an array of ideas, tips and practical examples, illust...
When Bob and Roberta Smith was elected a Royal Academician in 2013, he had a more complex relationship with the Academy than most. He remembered well the feeling of suspense as his parents, both artists, waited to find out if their submissions had been accepted for the annual Summer Exhibition. The outcome brought jubilation or despair, but rarely to both, which led to its problems. In The Secret to a Good Life, Bob and Roberta Smith introduces his mother, Deirdre Borlase, and her encounters with the often sexist and classist art establishment of postwar Britain. Her story has led her son to ruminate on drawing, politics and the challenge art can pose to authority, as well as to reminisce on his experience of growing up in a household with two painters for parents. In the colourful signwriting style for which he is best known, Bob and Roberta Smith tells a poignant and political family story and answers the question: what is the secret to a good life?00Exhibition: Royal Academy of Arts, London, UK (20.03.2018 - 18.08.2019).
'Make Your Own Damn Art' examines Bob and Roberta Smith's methods and explores their work through conversations with critic and artist Matthew Collings and an essay by German curator Horst Griese.
"With an introduction by artist and writer Cedar Lewisohn ... [this book] reveals the methods and motivations of the artists Bob and Roberta Smith"--Page 4 of cover.
This manual provides laboratory exercises in plant tissue culture which demonstrate major educational concepts. It includes sections on scheduling and interrelationships of exercises, tissue culture setup, supplies and media.
A New York Times Best Art Book of 2019 “A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus. “What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian “A brilliant book.”—Ulinka Rublack, Times Literary Supplement
'Art U Need' is a witty, insightful, intimate account of renowned artist Bob and Roberta Smith's most recent project, written in diary form.
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Featuring text by Alex Coles, and visually stunning reproductions of works by the participating artists, Platform for Art is the only comprehensive survey of what is one of Londons most important and thought-provoking art programmes.
The first monograph on artist Roberta B. Marks explores her collages and constructions, which focus on the themes of memory, time, and transcendence through a feminist and Buddhist perspective. Marks creates constructions that have an intimacy to them and at the same time contain entire worlds of feeling and memory. Each is a vignette--a narrative of a personal nature. She transforms a range of objects and materials, often of mundane and humble origin, into eloquent and highly personal forms of self- expression. Marks's work speaks to the human impulse to collect, preserve, and immortalize. Her pieces are intuitive and instinctual, exuding a sense of mystery. The viewer enters into an intensely private realm, yet the themes are universal--loss, longing, old age, death, repression, and liberation--thus evoking a feeling of familiarity. A practicing Buddhist, Marks achieves her clarity through daily meditation. She has written "when constructing a work, I pare it down to the essence--the minimal. Each chosen object represents years of seeing with acute awareness." Marks's writings accompany a selection of approximately 200 of her most evocative works.