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Having Two Dads is double the fun! Many families are different. The family in this story has Two Dads. A beautifully illustrated, affirming story of life with Two Dads, written from the perspective of their adopted child. Two Dads is a book about LGBT parents and adoption. The simple narrative and illustrations depict just how very normal LGBT families are. It is a funny and tender representation of family life. The book would be a good platform for opening up conversations about adoption or same sex parenting.
Having Two Mums is double the fun! Many families are different, this family has Two Mums. A beautifully illustrated, affirming story of life with Two Mums. The story celebrates the diversity of LGBT family life with humour & warmth; all families are special in their own way. A useful addition to a nursery or school library.
Distributed by the University of Nebraska Press for Caxton Press This beautifully designed and written coffee table book provides a conversational, intimate, thorough and artful book about the evolution of the Idaho Shakespeare Festival.
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The first scholarly biography of Emily Davies, a central figure in the women's movement of the long 1860s, and a significant new account of that movement, including its institutional origins; its social, political, religious and intellectual allegiances; and its relation to other major social and intellectual developments of the period.
This book encourages student-teachers, NQTs and practising teachers to reflect on issues important to planning, teaching and evaluating physical education.
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Each issue includes a classified section on the organization of the Dept.
Shifting ideas about Geoffrey Chaucer's audience have produced radically different readings of Chaucer's work over the course of the past century. Kathy Cawsey, in her book on the changing relationship among Chaucer, critics, and theories of audience, draws on Michel Foucault's concept of the 'author-function' to propose the idea of an 'audience function' which shows the ways critics' concepts of audience affect and condition their criticism. Focusing on six trend-setting Chaucerian scholars, Cawsey identifies the assumptions about Chaucer's audience underpinning each critic's work, arguing these ideas best explain the diversity of interpretation in Chaucer criticism. Further, Cawsey suggests few studies of Chaucer's own understanding of audience have been done, in part because Chaucer criticism has been conditioned by scholars' latent suppositions about Chaucer's own audience. In making sense of the confusing and conflicting mass of modern Chaucer criticism, Cawsey also provides insights into the development of twentieth-century literary criticism and theory.