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Prisoners of the Japanese
Between December 1941 and May 1942, the Japanese army took more than 130,000 allied prisoners of war, more than a quarter did not survive their imprisonment. Here, Bourke analyses the major novels and films of the prisoners-of-war experience under the Japanese and uncovers the extent to which these fictions have influenced our beliefs.
Travels in Atomic Sunshine
A vivid, salutary study of Australia’s little-known participation in the post-war occupation of Japan. In February 1946, the Australians of the British Commonwealth Occupation Force (BCOF) moved into western Japan to ‘demilitarise and democratise’ the atom-bombed backwater of Hiroshima Prefecture. For over six years, up to 20,000 Australian servicemen, including their wives and children, participated in an historic experiment in nation-rebuilding dominated by the United States and the occupation’s supreme commander, General MacArthur. It was to be a watershed in Australian military history and international relations. BCOF was one of the last collective armed gestures of a moribund e...
Pacific Exposures
Photography has been a key means by which Australians have sought to define their relationships with Japan. From the fascination with all things Japanese in the late nineteenth century, through the era of ‘White Australia’, the bitter enmity of the Pacific War, the path to reconciliation in the post-war period and the culturally complicated bilateralism of today, Australians have used their cameras to express a divided sense of conflict and kinship with a country that has by turns fascinated and infuriated. The remarkable photographs collected and discussed here for the first time shed new light on the history of Australia’s engagement with its most important regional partner. Pacific ...
Hiroshima and Here
This study provides a cultural history of Nuclear Age Australia. The author examines the country’s role as a weapons testing site, its ambition to join the postwar nuclear club of nations, the heated controversies surrounding uranium mining and nuclear power, and the rich complexity of Australian cultural response to the fact and possibility of atomic destruction.
On the War-path
This anthology reveals the many ways in which going to war has formed a cultural bridge between Australia and the world. From the Sudan in 1885 to Afghanistan in 2001, the connection of war to travel is illustrated in the observations of many writers.
Somewhere in Asia
From 1941 to 1975, as a series of military conflicts gripped Asia and the Pacific, Australian journalism was dominated by war reporting from the region. Torney-Parlicki (history, U. of Melbourne) argues that the reporting went beyond the usual discussion of military strategy and, in an important way.
Shooting Blanks at the Anzac Legend
War is traditionally considered a male experience. By extension, the genre of war literature is a male-dominated field, and the tale of the battlefield remains the privileged (and only canonised) war story. In Australia, although women have written extensively about their wartime experiences, their voices have been distinctively silenced. Shooting Blanks at the Anzac Legend calls for a re-definition of war literature to include the numerous voices of women writers, and further recommends a re-reading of Australian national literatures, with women’s war writing foregrounded, to break the hold of a male-dominated literary tradition and pass on a vital, but unexplored, women’s tradition. Sh...
The Rough Guide to Tokyo
The ultimate pocket guide to this dynamic city, the Rough Guide to Tokyo provides informed accounts of every attraction from the the futuristic Odaiba to the temple town of Asakusa. Also included is up-to-date advice on where to stay, eat, shop and go out. Information on excursions to Mount Fuji, Yokohama's Chinatown and the dazzling shrines of Nikko is also provided. This edition contains full coverage of the grounds and their surrounding areas of all the venues of the 2002 World Cup.
Art and Activism in the Nuclear Age
This book explores the contemporary legacy of Hiroshima and Nagasaki following the passage of three quarters of a century, and the role of art and activism in maintaining a critical perspective on the dangers of the nuclear age. It closely interrogates the political and cultural shifts that have accompanied the transition to a nuclearised world. Beginning with the contemporary socio-political and cultural interpretations of the impact and legacy of the destruction of Hiroshima and Nagasaki, the chapters examine the challenges posed by committed opponents in the cultural and activist fields to the ongoing development of nuclear weapons and the expanding industrial uses of nuclear power. It explores how the aphorism that "all art is political" is borne out in the close relation between art and activism. This multi-disciplinary approach to the socio-political and cultural exploration of nuclear energy in relation to Hiroshima/Nagasaki via the arts will be of interest to students and scholars of peace and conflict studies, social political and cultural studies, fine arts, and art and aesthetic studies.
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