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This book brings together discussions of leading aspects and repercussions of the Asia-Pacific War, which still have huge relevance today. From the development of war guilt to the vivid effect of art on bringing alive the realities of the war, it analyses a diversity of post-war issues in the Pacific Basin. Organised into five parts, the book begins by scrutinizing the conflicting attitudes towards Japanese post-war society and identifies the various legacies of the war. It also provides an examination of the aftermath of Hiroshima and Nagaski, before studying contemporary civil society and analysing the way memories of the war have changed with time. Each of the chapters discusses the Japanese government’s inability to achieve reconciliation with its neighbours, despite the passage of over 70 years, and the denial of the atrocities committed by the Imperial Army. Arguing that this policy of continuous denial has triggered the rise of civil movements in Japan, this book will be useful to students and scholars of Japanese History and Japanese Studies in general.
Ôe Kenzaburô was awarded the Nobel Prize for Literature in 1994. This critical study examines Ôe’s entire career from 1957 – 2006 and includes chapters on Ôe’s later novels not published in English. Through close readings at different points in Ôe’s career Yasuko Claremont establishes the spiritual path that he has taken in its three major phrases of nihilism, atonement, and salvation, all highlighted against a background of violence and suicidal despair that saturate his pages. Ôe uses myth in two distinct ways: to link mankind to the archetypal past, and as a critique of contemporary society. Equally, he depicts the great themes of redemption and salvation on two levels: that...
"This book examines key aspects of the Asia Pacific War (1931-1945), that was initially waged between Japan and China, before Japan's attack on Pearl Harbor drew in the U.S.-led allied forces from 1941 to 1945. The first half of the book examines three interlocking components, the origins of the war; its impact on combatants and civilians; and its short-term legacy, including the huge changes that took place in the postwar governance of Japan. Part 2 explores the ongoing impact and legacy of the war for those in postwar Japan, and later generations, particularly through the examination of the ambiguity of state-led reconciliation with Japan's neighbors, the growth of dynamic civil reconcilia...
Postwar modernist verse has been rarely discussed in English-language works on Japanese literature, despite the fact that it has been the dominant mode of poetic expression in Japan since World War II. Now readers of modern Japanese poetry in translation have gained an impressive intellectual and linguistic companion in their enjoyment of modern Japanese verse. Modernism in Practice combines close readings of individual Japanese postwar poets and poetry with historical and critical analysis. Five of the seven chapters concentrate on the life and work of such outstanding poets as Soh Sakon, Ishigaki Rin, Ito Hiromi, Asabuki Ryoji, and Tanikawa Shuntaro. Several of these writers have only come...
The author's critical study examines the key works of fiction by Ōe Kenzaburō - the internationally renowned Japanese writer who won the Nobel Prize for Literature in 1994.
The corporate salaryman and professional housewife stand as hegemonic archetypes of masculinity and femininity in Japan. However, these rigid gender roles are being challenged by women who are seeking to move beyond the strictly defined confines of their traditional roles as caregivers and homemakers. Through interviews with a range of Japanese women, this book explores how women’s gender roles are both reified and undermined in Japan today, and uncovers the prevalent themes, or ‘discourses’, that are utilized to construct gendered identities. It shows that while dominant discourses formulate notions of femininity within the domestic sphere, these are simultaneously resisted and proble...
Edited by Roy Starrs, this collection of essays by an international group of leading Japan scholars presents new research and thinking on Japanese modernism, a topic that has been increasingly recognized in recent years to be key to an understanding of contemporary Japanese culture and society. By adopting an open, multidisciplinary, and transnational approach to this multifaceted topic, the book sheds new light both on the specific achievements and on the often-unexpected interrelationships of the writers, artists and thinkers who helped to define the Japanese version of modernism and modernity. Specific topics addressed include the literary modernism of major writers such as Akutagawa, Kawabata, Kajii, Miyazawa, and Murakami, avant-garde modernism in painting, music, theatre, and in the performance art of Yoko Ono, and the everyday modernism of popular culture and of new urban activities such as shopping and sports.
How did nerves and neuroses take the place of ghosts and spirits in Meiji Japan? How does Natsume Soseki’s canonical novel Kokoro pervert the Freudian teleology of sexual development? What do we make of Jacques Lacan’s infamous claim that because of the nature of their language the Japanese people were unanalyzable? And how are we to understand the re-awakening of collective memory occasioned by the sudden appearance of a Japanese Imperial soldier stumbling out of the jungle in Guam in 1972? In addressing these and other questions, the essays collected here theorize the relation of unconscious fantasy and perversion to discourses of nation, identity, and history in Japan. Against a tradi...
This book, a unique contribution to the field of kimono and Japan-related clothing studies, challenges uncritical readings of clothing from the lives of Japanese women and cultural representations of women wearing these clothes. Chapters ground understandings of clothing, including kimono, in the lived experience of different groups of women in modern Japan. Also discussing cosplay outside Japan, the collection argues that items worn by women are produced and consumed in a gendered and highly politicised socio-historical environment. Examining, for example, women’s recent renewed enthusiasm for kimono, in addition to representations of monpe, kimono and other attire in film and narrative, the book includes three new translations of clothing commentary by women writers from Japan. Contributors are: Tomoko Aoyama, Yasuko Claremont, Sheila Cliffe, Barbara Hartley, Helen Kilpatrick, Emerald King, Machiko Iwahashi, Komashaku Kimi, Rio Otomo, Sata Ineko, Jennifer Scott, and Shirasu Masako.
The aim of this book is to examine and analyse the phenomenon of ‘Japan-bashing’, from its invention and popularisation in the United States in the late 1970s to the emergence of other national variants, including in Australia and Japan, to its gradual decline in the late 1990s. It is the first major book-length study of ‘Japan-bashing from a multinational perspective, one that attempts to place ‘Japan-bashing’ in its proper historical context and to examine its operation and legacy in the twenty-first century. Despite its importance in the study of discourses about Japan, as well as in understanding broader global changes in the late twentieth century and beyond, the phenomenon of...