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No Love Without Poetry
The memoirs of Ariadna Efron provide an intimate and indispensable perspective on the poet Marina Tsvetaeva's life and work, told from the point of view of her daughter.
My Journey
This is the first English translation of Olga Adamova-Sliozberg’s mesmerizing My Journey, which was not officially published in Russia until 2002. It is among the best known of Gulag memoirs and was one of the first to become widely available in underground samizdat circulation. Alexander Solzhenitsyn relied heavily upon it when writing Gulag Archipelago, and it remains the best account of the daily life of women in the Soviet prison camps. Arrested along with her husband (who, she would much later learn, was shot the next day) in the great purges of the thirties, Adamova-Sliozberg decided to record her Gulag experiences a year after her arrest, and she “wrote them down in her head”...
Toward an Architecture
Published in 1923, Toward an Architecture had an immediate impact on architects throughout Europe and remains a foundational text for students and professionals. Le Corbusier urges readers to cease thinking of architecture as a matter of historical styles and instead open their eyes to the modern world. Simultaneously a historian, critic, and prophet, he provocatively juxtaposes views of classical Greece and Renaissance Rome with images of airplanes, cars, and ocean liners. Le Corbusier's slogans--such as "the house is a machine for living in"--and philosophy changed how his contemporaries saw the relationship between architecture, technology, and history. This edition includes a new translation of the original text, a scholarly introduction, and background notes that illuminate the text and illustrations.
Aftermath
Focusing on three of the defining moments of the twentieth century - the end of the two World Wars and the collapse of the Iron Curtain - this volume presents a rich, interdisciplinary collection of authoritative essays, covering a wide range of thematic, regional and methodological perspectives. By re-examining these traumatic years it illuminates ideas concerning mythologisation, mobilisation, commemoration, confrontation and representation in the aftermath of conflict. The relationship between the living and the dead, the contestation of memories and legacies of war in cultural and political discourses, and the significance of generations are all key threads binding the collection together.
A Russian Psyche
Russian poet Marina Tsvetaeva’s powerful poetic voice and her tragic life have often prompted literary commentators to treat her as either a martyr or a monster. Born in Russia in 1892, she emigrated to Europe in 1922, returned to the Soviet Union at the height of the Stalinist Terror, and committed suicide in 1941. Alyssa Dinega focuses on the poetry, rediscovering Tsvetaeva as a serious thinker with a coherent artistic and philosophical vision.
Fighting Words and Images
Fighting Words and Images is the first comprehensive interdisciplinary and theoretical analysis of war representations across time periods from Classical Antiquity to the present day and across languages, cultures, and media including print, painting, sculpture, architecture, and photography. Featuring contributions from across the humanities and social sciences, Fighting Words and Images is organized into four thematically consistent, analytically rigourous sections that discuss ways to overcome the conceptual challenges associated with theorizing war representation. This collection creatively and insightfully explains the nature, origins, dynamics, structure, and impact of a wide variety of war representations.
A Companion to Marina Cvetaeva
Marina Cvetaeva is one of the best-known Russian poets of the 20th century, often translated and studied in a copious scholarly literature. With articles on Cvetaeva’s biography and her relationship with visual arts, drama, folklore, music, translation and the work of other poets, this volume offers both a valuable overview of scholarly approaches to her work today and a way to enter specific aspects of her writing and career. Contributors include both foremost established scholars of Cvetaeva’s work and young scholars taking new approaches and discovering neglected artifacts and topics. Scholars who do not read Russian will find this collection of value, as will advanced students of Russian literature, poetry, and women’s writing. Contributors include Molly Thomasy Blasing, Karen Evans-Romaine, Sibelan Forrester, Karin Grelz, Olga Peters Hasty, Maria Khotimsky, Olga Partan, and Alexandra Smith
Memory Piano
This title examines not only other writers' works with a critical eye, but also breaks boundaries in Simic's exploration of the outer and inner reaches of the human condition. Included here are essays on April Bernard, Robinson Jeffers, Donald Justice, Pablo Neruda, Gerald Stern, Richard Wilson, and more.
A History of Russian Symbolism
This book is the first detailed history of the Russian Symbolist movement, from its initial hostile reception as a symptom of European decadence to its absorption into the mainstream of Russian literature, and eventual disintegration. It focuses on the two generations of writers whose work served as the seedbed of Existentialism in thought and of Modernism in prose and the performing arts, and reassesses their achievements in the light of modern research. At the centre of the study are the texts themselves, with prose quoted in English translation and poetry given in the original Russian with prose translations. There is a valuable bibliography of primary sources and an extensive chronological appendix. This book will fill a long-felt gap, and will be invaluable to students and teachers of Russian and comparative literature, Symbolism, modernism, and pre-revolutionary Russian culture.
