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The ideas which have defined and informed Christian priesthood in the past are now called into question more than at any time since the Reformation. Is there such a thing as a Christian cult? Is Christian worship in any other way sacrificial? How can ordained Christians be seen as part of a ministerial priesthood distinct from other believers? What does it mean to teach with authority within and on behalf of the Church? When Michael Ramsey wrote The Christian Priest Today he could assume that the priest would be seen as a man of the Eucharist, a confessor, an intercessor and an exponent of the Church's teaching. In the contemporary Church none of these things can be taken for granted in the same say. This book seeks to re-pristinate the doctrine of ministerial priesthood by setting it within the context of fundamental moral theology - to recall readers from all Christian traditions to the fundamental soundness of the concept of ministerial priesthood and its importance in contemporary ecumenical duologue, liturgical reform and pastoral planning.
This book offers the first multidisciplinary analysis of the "wordless novels" of American woodcut artist and illustrator Lynd Ward (1905–1985), who has been enormously influential in the development of the contemporary graphic novel. The study examines his six pictorial novels, each part of an evolving experiment in a new form of visual narrative that offers a keen intervention in the cultural and sexual politics of the 1930s. The novels form a discrete group – much like Beethoven’s piano sonatas or Keats’s great odes – in which Ward evolves a unique modernist style (cinematic, expressionist, futurist, realist, documentary) and grapples with significant cultural and political ideas in a moment when the American experiment and capitalism itself hung in the balance. In testing the limits of a new narrative form, Ward’s novels require a versatile critical framework as sensitive to German Expressionism and Weimar cinema as to labor politics and the new energies of proletarian homosexuality.
Glasgow is one of the most architecturally exciting cities in the world, boasting a huge variety of building styles. There are grand Victorian public buildings celebrating civic progress and pride, commercial palazzi glorifying trade and industry, glittering art galleries, a Gothic Revival university as well as tower blocks, tenements, the Art Nouveau of Charles Rennie Mackintosh and the quirky classicism of Alexander 'Greek' Thomson. This book illustrates and describes almost 500 buildings and structures, featured not only for their architectural excellence but also for their social and historical significance.
When Ray Ward died in 1999, his sons discovered an old and dusty manuscript in an Afrika Korps ammunition box in the cellar of the family home in Glasgow. These papers contained a collection of their father's memoirs, entitled The Mirror of Monte Cavallara, which detailed his experiences as an infantry officer during the Second World War. One of his sons, Robin, undertook the mammoth task of editing and annotating the manuscript. Ray Ward joined the Argyll and Sutherland Highlanders in 1940 and served in the 1st Battalion throughout the war. His memoirs give vivid accounts of his time in Eritrea, Abyssinia, Egypt, the Western Desert, Sicily and Italy. Evidence of the bravery, adventure and danger that characterized this conflict, The Mirror of Monte Cavallara is the chronicle of one's man's war, and an account of an illustrious Scottish regiment's role in the British Eighth Army. But it is also the story of a son's discovery of his father's war-time experiences, rarely spoken about when he was alive. An artist and writer, Robin Ward brings a modern relevance and interpretive sensibility to his father's perspective of the past.
In the mid-1950s, to combat declining theater attendance, film distributors began releasing pre-packaged genre double-bills--including many horror and science fiction double features. Though many of these films were low-budget and low-end, others, such as Invasion of the Body Snatchers, Horror of Dracula and The Fly, became bona fide classics. Beginning with Universal-International's 1955 pairing of Revenge of the Creature and Cult of the Cobra, 147 officially sanctioned horror and sci-fi double-bills were released over a 20-year period. This book presents these double features year-by-year, and includes production details, historical notes, and critical commentary for each film.
This second book by the Vancouver Sun columnist, author of the successful Robin Ward's Vancouver, offers 60 drawings of structures in Vancouver, Victoria, Seattle and points between. The Sun Yat Sen Gardens and Cathedral Place in downtown Vancouver, the Empress Hotel and Eaton Centre in Victoria, historic structures in Britannia Beach and Port Townsend - Ward brings to all of them his special eye for detail, his insatiable curiosity about social history and his love for the unique character of each town and city. His drawings are accompanied by spirited commentary on decisions we make about our heritage sites - from the innovative and responsible to the downright scandalous.
Built in 1889 and now home to the Art Gallery of Greater Victoria, the Spencer Mansion is a magnificent building with a rich and layered history. With detailed research, historian and author Robert Ratcliffe Taylor describes the original appearance of the house, designed by William Ridgway Wilson for Alexander Green and his family, as well as its inhabitants over the decades. Also known as Gyppeswyk, after the village in England where Green wed Theophila Rainer, the house is more commonly referred to as the Spencer Mansion, after later owners David and Emma Spencer. The book also chronicles the brief period when the residence served as BC's Government House and concludes with the story of how the house came to function as an art gallery. A unique book, The Spencer Mansionshowcases a true gem of Victoria's architecture and history.
In the near future, a nuclear holocaust erupts, destroying 75% of the known world. Ward Sands thought it would happen and was prepared. He, his family, and friends get inside some bomb shelters built by him and a friend. The story is about the life inside of the bomb shelters and what they awaken to. After weeks inside of the bomb shelter, they fall into a suspended state. What they awaken to, on the outside world, is a completely different world of both wonder and danger! The story follows this man, his family, and their friends as they fight for survival against innumerable odds!