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Songs of the Dove and the Nightingale
The Musical Repertories of the Liturgy of Southern Italy and Beneventan Sources, Alleluia Melodies after 1100, and the change in transmission of instrumental music in Fifteenth-Century Europe are provided. John McCaughey's concert programme of medieval troped chants for Pentecost juxtaposed with traditional monophonic work songs from Vietnam, Thailand and Western Java as well as various contemporary compositions are also included. Songs of the Dove and the Nightingale provides a comprehensive survey of sacred and secular music within the context of a multilingual and intercultural milieu where influences and exchanges of liturgico-musical materials took place between many different ethnic groups. Structural relations between music and text are explored through the analysis of textual punctuation and the structured repetition of the refrain.
Catalysis
Catalysts are required for a variety of applications. Industrialists and academics are increasingly challenged to find cost effective and environmentally benign catalysts to use. This volume looks at modern approaches to catalysis and critically reviews the extensive literature on areas such as catalysts derived from waste materials, determining the pore structure of activated carbon by nitrogen gas adsorption and a new tool to explore catalytic reaction mechanisms - the catalytic shock tube. With an emphasis on interdisciplinary content, this book is aimed at catalytic science and engineering research communities.
Footprints of the Dance: An Early Seventeenth-Century Dance Master’s Notebook
Footprints of the Dance — An Early Seventeenth-Century Dance Master’s Notebook by Jennifer Nevile provides new, fascinating and detailed information on the life of an early-seventeenth-century dance master in Brussels. The dance master’s handwritten notebook contains unique material: a canon of dance figures and instructions for an exhibition with a pike; as well as signatures and general descriptions of his students, ballet plots and music associated with dancing. Reproduced for the first time are facsimile images of all the dance-related material, with transcriptions and translations of the ballet plots and instructions for the pike exhibition. The dance master is revealed as an active choreographer and performer, with strong ties to the French court musical establishment, and interested in fireworks and alchemy.
Gender and Voice in Medieval French Literature and Song
This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analys...
Polyphony in Medieval Paris
Redefines musical analysis for a period that marks the beginnings of composition as we know it now.
A Feast for the Eyes
"A Feast for the Eyes is the first book-length study of the court banquets of northwestern Europe in the fourteenth and fifteenth centuries"--Jacket.
Allegorical Play in the Old French Motet
This book focuses on the literary artistry of the texts of Old French and bilingual motets, notably the special feature of motets that distinguished them from other medieval lyric forms: the phenomenon of polytextuality.
The Flower of Paradise
In spite of their widely disparate uses, Marian prayers and courtly love songs from the Middle Ages and Renaissance often show a stylistic similarity. This book examines the convergence of these two styles in polyphonic music and its broader poetic, artistic, and devotional context from c.1200-c.1500.
Lies at the Altar
Psychologist Dr. Robin Smith reveals how to turn vows made at the altar into realistic plans for a long and happy marriage. Dr. Robin Smith advises couples on how to take the wedding vows that were made in earnest and in innocence, to a level where they can be used to build a happy, healthy, satisfying and long-lasting marriage. Lies at the Altar is for couples who are planning marriage, are newly married, or who have been married for years. In Lies at the Altar: The Truth About Great Marriages, Dr. Robin Smith addresses the unspoken needs, unasked questions, outrageous expectations, and hidden agendas that often linger beneath the surface of the wedding vows and appear later to cause power ...
Tonal Consciousness and the Medieval West
Tonal consciousness, in the sense of a clear intuition about which note or chord a piece of music will finish on, is as much a part of our everyday experience of music as it is of contemporary music theory. This book asks to what extent such tonal consciousness might have operated in the minds of musicians of the Middle Ages, given the different tone world found in the modes of Gregorian chant, in troubadour and trouvère music, in Minnesang and in the early polyphony based upon chant. The author's approach is analytical, focusing on modality and balancing up-to-date concepts and methods of music analysis with those insights into their own compositional needs and processes that the people of the Middle Ages provided themselves through their writings about music. The book examines a range of both music sources and theoretical sources from the ninth to the thirteenth centuries. This is a ground-breaking contribution both to the study of medieval music and to music analysis.
