You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An international anthology of women's writings from antiquity to the present.
Poetry. "In BEGGARS AT THE WALL, Rochelle Ratner guides us through an Israel that is not quite the Middle Eastern country we've learned about from CNN or travel books. This is her Israel: a fabled and disquieting place she wants to love like a homeland but cannot entirely embrace. In these plain-spoken poems, so naked in their concerns and passions, Ratner has given us the work of a secular Jew who yearns to be centered in Zion but who knows that Israel can never be her home. Her poems are washed in the light of Safed, Masada, and Jerusalem--a light that reveals hard truths about the lone Jewish nation on the planet...and about ourselves"--Charles Fishman.
"What if you had a dying child, spouse, lover, parent, and the world caved in? It could happen. What was it like, after the Towers fell, to live in a war zone with a gravely ill husband? Julia Frey's BALCONY VIEW is far more than a 9/11 story. In this unique, historic diary -- the handwritten original is in the 9/11 Museum in New York -- Frey, a distinguished biographer, found herself in the unenviable position of writing about a life as it was falling apart -- her own. Her vivid, wry, tender book describes living for six months at Ground Zero with writer, Ron Sukenick during his terminal illness. It's a beautifully written, clear-eyed portrait of simple courage, remarkable humor, generosity...
The first collection of poetry that allows us to see police officers not just as brutalizers or heroes but as complicated human beings in a position that is sometimes terrifying, sometimes rewarding and often questionable. On a daily basis police save lives, take lives, and risk their own lives. Existing books on police and policing give us a single point-of-view, a black and white story that portrays cops as either saints or villains. This exploration of the dynamic point of understanding makes Off The Cuffs unique. Divided into four sections--Eyewitnesses, Insiders, Victims & Perpetrators, and Dreamers--Off The Cuffs gives us a diversity of voices, telling stories of fear, apprehension, lo...
Very quietly Ron said, “You know, I think the Towers are going to go. Maybe we’d better get out of here.” ßWe suddenly realized that if either of the Towers fell at a certain angle, our building was directly in the line of fall. Above the raging flames, the perpendicular steel I-beams were beginning to bulge out, softening in the heat. Again his unnaturally quiet voice, “I can’t stay here. If the Towers fall on us, I’ll die of fright.” (BALCONY VIEW - a 9/11/ Diary ) Julia Frey’s account begins on September 11, 2001, as the couple decide that despite her husband’s illness, they must somehow flee. They abandon his wheelchair; he is too frail to climb on a boat. Later that d...
"Ratner's premier literary anthology widens the family circle to embrace childless women and recognize their invaluable contributions to our collective soul."--Booklist
The Poets of New Jersey celebrates sixty-five extraordinary poets who have lived and worked in New Jersey, from Colonial times to the present. Many of the poets included in this anthology are among America's finest. Stephen Dunn, the Pulitzer Prize poet, writes the Foreword; X. J. Kennedy, the renowned poet, (whose comprehensive text, Literature: An Introduction to Fiction, Poetry and Drama, has taught generations of college students), writes the Introduction. The three editors, all poets themselves, had one simple criterion in compiling the works: they wanted to hear the pure, clear words of the poets who have called this place home. They were interested in the sum of poetic greatness distilled from life in this state?the poetry New Jersey poets have written, whether New Jersey oriented or not. Included: Philip Freneau, Walt Whitman, Stephen Crane, William Carlos Williams, Marianne Moore, Kenneth Burke, Allen Ginsberg, Amiri Baraka, Yusef Komunyakaa, C. K. Williams, Paul Muldoon
Victoria Frenkel Harris traces the aesthetic journey of poet Robert Bly from his early structured works of mystical imagery and lyrical landscapes to his recent explorations of intimate relationships and male socialization. Examining the various ways Bly’s prose poems articulate his opposition to the Vietnam War and his recent writings manipulate more formal patterns in detailing the intricacies of human relationships, Harris labels this evolution in form, subject, and imagery the incorporative consciousness, incorporative because it assimilates Jungian psychological categories, international poetic traditions, and a compelling breadth of topics. Harris relies in part on contemporary femin...
The first critical collection to focus on Levine