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Empire & Odyssey
Yul Brynner, the mysterious and exotic Hollywood star, was one of four generations in his family to bear that name. His Swiss-born grandfather, Jules, arrived in Shanghai almost by accident about 1865, but within twenty years had become a leading industrialist in the Far East. His business association with Tsar Nicholas II built Vladivostok and the Trans-Siberian Railway, then triggered the Russo-Japanese War, contributing to the fall of the Romanoffs. Jules' s son Boris regained control of the family's mines, but his experiences in China, Manchuria, and North Korea rivaled the ordeals of Dr. Zhivago. Yul's childhood took him to China and then to France, where, as a teenager, he performed in nightclubs with Russian Gypsies while becoming a trapeze acrobat in the circus. He moved to America before he spoke English and within five years was starring on Broadway. His son, with a colorful life of his own, has written the family's history.--From publisher description.
Yul Brynner
Known as the bald cowboy in The Magnificent Seven and the sexy, charismatic male lead in The King and I, Yul Brynner was a Hollywood paragon of masculinity. Beyond his distinctive appearance and distinguished acting career was a life of intrigue and concocted tales surrounding his youth. Born Youl Bryner in Russia, he played gypsy guitar and worked as a trapeze clown until a severe injury motivated him to pursue his interest in theater. This biography takes readers through Brynner’s formative years in Russia, France and China and describes his journey from sweeping stages in Parisian theaters to a versatile career in theater, television and film, reaching a stardom that began and ended with the classic Rodgers and Hammerstein musical The King and I. With accounts of his personal and professional successes and failures, the book includes his four marriages, his numerous and notorious affairs with such stars as Judy Garland, Joan Crawford and Ingrid Bergman, and his 1985 death from lung cancer. A filmography details his movies and plays, and appendices outline his work in documentaries, music and soundtracks, radio programs and television.
Empire and Odyssey
For millions of his fans, there is only one Yul Brynner, the most mysterious and exotic star in Hollywood history. But in fact four men were given that same name in successive generations, beginning with Yul’s Swiss-born grandfather, Jules, and ending with his son born in New York, Yul Jr., better known as author and historian Rock Brynner. Their lives compose a global odyssey that has come full circle in present-day Vladivostok in Far East Russia, the city built by Jules in the 1880s, where Yul and his father, Boris Julievitch, were born, and which Rock first visited on a lecture tour sponsored by the U.S. State Department.This is a vast family epic, teeming with exotic adventures, that b...
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Yul
A dazzling and eye-opening memoir that captures one of the most charismatic figures of stage and screen--Yul Brynner--by Yul's only son. 32 pages of black-and-white photos.
Ultimate Warrior
Sonorous voice, shaven head, enigmatic good looks - Yul Brynner was among the most distinctive, charismatic performers of his era. He was a circus acrobat, nude model, cabaret performer and television director before opting to pursue a career in acting. His rise to stardom in the '50s was nothing short of meteoric: a Tony Award for his stage role in The King and I, and an Oscar for its screen equivalent, sealed his reputation as one of the most hotly sought stars in the business. The Ten Commandments, Anastasia, The Brothers Karamazov, The Magnificent Seven, Taras Bulba and Westworld are just some of the highlights of a career which spanned three decades and forty films. Brynner acted alongs...
The Making of The Magnificent Seven
The story behind The Magnificent Seven could have been a movie in itself. It had everything--actors' strike, writers' strike, Mexican government interference and a row between the screenwriters that left one removing his name from the credits, all under the lingering gloom of post-McCarthy era Hollywood. A flop on release, it later became a box office hit. This book tells the behind-the-scenes story: how Yul Brynner became the biggest independent producer in Hollywood; why John Sturges was not the first choice after Brynner surrendered the director's chair; why Sturges quit; the truth about the Mirisch Company (producers); the details of the film's botched release and unlikely redemption; the creation of Elmer Bernstein's classic score; and how internecine fighting prevented the making of the television series in 1963. Myths about Steve McQueen, his feud with Brynner and the scene-stealing antics of the cast are debunked. A close examination of the various screenplay drafts and the writers' source material--Akira Kurosawa's Seven Samurai--shows who wrote what. Extensive analysis of Sturges' directorial work is provided.
The Gladiators vs. Spartacus, Volume 1
Using previously unpublished correspondence and personal journal entries from screenwriter Abraham Polonsky, neglected notices in Variety and other Hollywood trade publications, and a wide range of published sources, this narrative backstory of rival movie productions of The Gladiators vs Spartacus documents that intense competition with greater precision and clarity than any other existing account. The key role that this little-known chapter of Hollywood's blacklist history played, in connection with Dalton Trumbo's successful effort to win screen credit for Spartacus, is now for the first time available to film historians and lay readers. A companion study, Volume 2, is devoted to Abraham Polonsky’s rediscovered screenplay.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Masked Men
The fifties marks the moment when a heterosexual/homosexual dualism came to dominate U.S. culture's thinking about masculinity. The films of this era record how gender and sexuality did not easily come together in a normative manhood common to American men. Instead these films demonstrate the widely held perception of a crises of masculinity. Masked Men documents how movies of the fifties represented masculinity as a multiple masquerade. Hollywood's star system positioned the male actor as a professional performer and as a body intended to solicit the erotic interest of male and female viewers alike. Drawing on publicity, poster art, fan magazines, and the popular press as a means of following the links between fifties stars, their films, and the social tensions of the period, Cohan juxtaposes Hollywood's narratives of masculinity against the personae of leading men like Cary Grant, Humphrey Bogart, John Wayne, Charlton Heston, Yul Brynner, William Holden, Montgomery Clift, Marlon Brando, and Rock Hudson. Masked Men focuses on the gender and sexual masquerades that organized their performances of masculinity on and off screen.
