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Rock Criticism from the Beginning
Rock Criticism from the Beginning is a wide-ranging exploration of the rise and development of rock criticism in Britain and the United States from the 1960s to the present. It chronicles the evolution of a new form of journalism, and the course by which writing on rock was transformed into a respected field of cultural production. The authors explore the establishment of magazines from Crawdaddy! and Rolling Stone to The Source, and from Melody Maker and New Musical Express to The Wire, while investigating the careers of well-known music critics like Robert Christgau, Greil Marcus, and Lester Bangs in the U.S., and Nik Cohn, Paul Morley, and Jon Savage in the U.K., to name just a few. While much has been written on the history of rock, this Bourdieu-inspired book is the first to offer a look at the coming of age of rock journalism, and the critics that opened up a whole new kind of discourse on popular music.
Rock: the Primary Text
This thoroughly revised second edition of Allan Moore's ground-breaking book features new sections on melody, Britpop, authenticity, intertextuality, and an extended discussion of texture. Rock's 'primary text' - its sounds - is the focus of attention here. Allan Moore argues for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock and subsequent styles. He also explores the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock.
A Feeling for Rock
A Feeling for Rock is a visceral exploration of rock climbing as a passion and a lifestyle. Through a medley of poetry, cartoons, essays, interviews, weavings, photographs and technical tips, it conveys the experience of being bamboozled by a route, connecting with the landscape or flicking through a guidebook. In addition, the book ventures into ethical regions of gender bias and privilege and questions our relations with each other and the rock. Chapters are headed by different feelings - Love, Curiosity, Astonishment, Pain, Lust, Fear, Wonder, Companionship and so on - which lie at the core of a climbing life. A Feeling for Rock is perfect for dipping into or a more immersive read. Being full of pictures and soft to the touch, it is also rather a beautiful item to hold in your hands. "Rock climbing has shaped my body, my bookshelves, my boyfriends, my community, my employment, my home, my holidays, the clothes I wear, the vehicle I drive, how I spend my money and what happens when I die. I am a product of the rock. The dynamic is visceral, spiritual, intellectual and emotional - no area of me untouched by this curious hobby."
Bass Rock, The
In 1720s Scotland, a priest and his son get lost in the forest, transporting a witch to the coast to stop her from being killed by the village. In the sad, slow years after the Second World War, Ruth finds herself the replacement wife to a recent widower and stepmother to his two young boys, installed in a huge house by the sea and haunted by those who have come before. Fifty years later, Viv is cataloguing the valuables left in her dead grandmother's seaside home, when she uncovers long-held secrets of the great house. Three women, hundreds of years apart, slip into each other's lives in a novel of darkness, violence and madness.
The Periodic Table of HEAVY ROCK
'Jimi Hendrix was not so much an element in a Periodic Table of Heavy Rock as an entire elemental spectrum in a parallel universe.' Welcome to The Periodic Table of Heavy Rock! Instead of hydrogen to helium, here you'll find Smashing Pumpkins to Spinal Tap - 118 artists that have defined this music genre arranged following the logical ordering of The Periodic Table of Elements. Many of these elements are as unstable and reactive as their chemical counterparts. Shared style influences and band members are all mapped out here, along with the vast spectrum of sound this genre. Grunge rock through to hardcore, blues rock, psychedelic rock, progressive rock, arena rock, glam rock and glam metal, punk rock, blues metal, 80s new wave, comedy metal, thrash, death, intelligent AND nu-metal are all represented here. Includes: Rolling Stones, Led Zeppelin, The Who, Jimi Hendrix, AC/DC, Queen, Iron Maiden, Alice Cooper, Yes, Slipknot, Nirvana, ZZ Top, Sex Pistols, Meat Loaf, Queens of the Stone Age, the Doors, Pixies, Frank Zappa, Slade, Marilyn Manson, The Beatles and Spinal Tap and many, many more...
The Musical Language of Rock
In all of the books about rock music, relatively few focus on the purely musical dimensions of the style: dimensions of harmony and melody, tonality and scale, rhythm and meter, phrase structure and form, and emotional expression. The Musical Language of Rock puts forth a new, comprehensive theoretical framework for the study of rock music by addressing each of these aspects. Eastman music theorist and cognition researcher David Temperley brings together a conventional music-analytic approach with statistical corpus analysis to offer an innovative and insightful approach to the genre. With examples from across a broadly defined rock idiom encompassing everything from the Beatles to Deep Purp...
Rocks
This book provides a simple and fun introduction to rocks, discussing different rocks, exploring how and why they have formed, how they have changed over time, their appearance and properties. With the help of some Rock Solid! facts that provide cool examples, the book will show you how amazing rocks can be: from the Grand Canyon and hot lava to the world?s biggest cave.
The Ultimate Encyclopedia of Rock
Traces the history of rock music, identifies major individuals and groups, looks at historic tours and albums, and lists the most popular recordings
Seismic Reflections of Rock Properties
This book provides an accessible guide to using the rock physics-based forward modeling approach for mapping the subsurface, systematically linking rock properties to seismic amplitude. Providing practical workflows, the book shows how to methodically vary lithology, porosity, rock type, and pore fluids and reservoir geometry, calculate the corresponding elastic properties, and then generate synthetic seismic traces. These synthetic traces can then be compared to actual seismic traces from the field: a similar actual seismic response implies similar rock properties in the subsurface. The book catalogs various cases, including clastic sediments, carbonates, and time-lapse seismic monitoring, and discusses the effect of attenuation on seismic reflections. It shows how to build earth models (pseudo-wells) using deterministic and statistical approaches, and includes case studies based on real well data. A vital guide for researchers and petroleum geologists, in industry and academia, providing sample catalogs of synthetic seismic reflections from a variety of realistic reservoir models.
The Rock Physics Handbook
The Rock Physics Handbook brings together the theory and data that form the foundations of rock physics.
