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'Monumental . . . A wonderful book.' Peter Frankopan 'Magisterial . . . remarkable.' Guardian 'Erudite and highly readable . . . An authoritative guide to the countless ways in which Greek words and ideas have shaped the modern world.' Financial Times The Greeks is a story which takes us from the archaeological treasures of the Bronze Age Aegean and myths of gods and heroes, to the politics of the European Union today. It is a story of inventions, such as the alphabet, philosophy and science, but also of reinvention: of cultures which merged and multiplied, and adapted to catastrophic change. It is the epic, revelatory history of the Greek-speaking people and their global impact told as never before.
First published by CUP in 1989, The Medieval Greek Romance provides basic information for the non-specialist about Greek fiction during the period 1071-1453, as well as proposing new solutions to problems that have vexed previous generations of scholars. Roderick Beaton applies sophisticated methods of literary analysis to the material, and the bridges of the artificial gap which has separated `Byzantine'literature, in a form of ancient Greek as both homogenous and of a high level of literary sophistication. Throughout, consideration is given to relations and interconnections with similar literature in western Europe. As most of the texts discussed are not available in English translation, the argument is illustrated by lucid plot summaries and extensive quotation (accompanied by literal English renderings). For this edition, The Medieval Greek Romance has been revised throughout and expanded with the addition of an `Afterword' which assesses and responds to recent work on the subject.
Biografie van de Griekse dichter (1900-1971).
A wide-ranging study of popular poetry and songs from the end of the Byzantine Empire to the present.
In 1821, when the banner of revolution was raised against the empire of the Ottoman Turks, the story of 'Modern Greece' is usually said to begin. Less well known is the international recognition given to Greece as an independent state with full sovereign rights, as early as 1830, placing Greece in the vanguard among the new nation-states of Europe. This book brings together scholars from a variety of disciplines to explore the contribution of characteristically 19th-century European modes of thought to the 'making' of Greece as a modern nation. It focuses on the themes of nationalism, romanticism and the uses of the Classical and Byzantine past in the construction of a durable national identity at once 'Greek' and 'modern'.
When in 1821, the Greeks rose in violent revolution against the rule of the Ottoman Turks, waves of sympathy spread across Western Europe and the United States. More than a thousand volunteers set out to fight for the cause. The Philhellenes, whether they set out to recreate the Athens of Pericles, start a new crusade, or make money out of a war, all felt that Greece had unique claim on the sympathy of the world. As Byron wrote, 'I dreamed that Greece might Still be Free'; and he died at Missolonghi trying to translate that dream into reality. William St Clair's meticulously researched and highly readable account of their aspirations and experiences was hailed as definitive when it was first published. Long out of print, it remains the standard account of the Philhellenic movement and essential reading for any students of the Greek War of Independence, Byron, and European Romanticism. Its relevance to more modern ethnic and religious conflicts is becoming increasingly appreciated by scholars worldwide. This new and revised edition includes a new Introduction by Roderick Beaton, an updated Bibliography and many new illustrations.
An Englishman sets out for an ancient Greek palace in Crete to clear his family's name. The man's father and grandfather excavated it and they have been accused by the archeological community of fabricating artifacts. A first novel.
This introduction to the poetry and fiction published in Greek since national independence in 1821 is devoted to the literature of this period seen as a whole, and includes developments up to the present day. No knowledge of Greek is assumed.
Called variously the ’Byzantine epic’, the ’epic of Modern Greece’, an ’epic-romance’ and ’romance’, the poem of Digenes Akrites has, since its rediscovery towards the end of the nineteenth century, exerted a tenacious hold on the imagination of scholars from a wide range of disciplines and from many countries of the world, as well as of writers and public figures in Greece. There are many reasons for this, not least among them the prestige accorded to ’national epics’ in the nineteenth century and for some time afterwards. Another reason must surely be the work’s uniqueness: there is nothing quite like Digenes Akrites in either Byzantine or Modern Greek literature. How...