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Small power diplomacy in seventeenth century Europe War, State and Society in Liège is a fascinating case study of the consequences of war in the Prince-Bishopric of Liège and touches upon wider issues in early modern history, such as small power diplomacy in the seventeenth century and during the Nine Years’ War. For centuries, the small semi-independent Holy Roman Principality of Liège succeeded in preserving a non-belligerent role in European conflicts. During the Nine Years’ War (1688–1697), however, Liège’s leaders had to abolish the practice of neutrality. For the first time in its early modern history, the Prince-Bishopric had to raise a regular army, reconstruct ruined defence structures, and supply army contributions in both money and material. The issues under discussion in War, State and Society in Liège offer the reader insight into how Liège politically protected its powerful institutions and how the local elite tried to influence the interplay between domestic and external diplomatic relationships.
The period 1350–1750 saw major developments in European warfare, which not only had a huge impact on the way wars were fought, but also are critical to long-standing controversies about state development, the global ascendancy of the West, and the nature of 'military revolutions' past and present. However, the military history of this period is usually written from either medieval or early-modern, and either Western or Eastern European, perspectives. These chronological and geographical limits have produced substantial confusion about how the conduct of war changed. The essays in this book provide a comprehensive overview of land and sea warfare across Europe throughout this period of momentous political, religious, technological, intellectual and military change. Written by leading experts in their fields, they not only summarise existing scholarship, but also present new findings and new ideas, casting new light on the art of war, the rise of the state, and European expansion.
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War, State and Society in Liège is a fascinating case study of the consequences of war in the Prince-Bishopric of Liège and touches upon wider issues in early modern history, such as small power diplomacy in the seventeenth century and during the Nine Years' War.
Within the context of globalization, cultural transformations are increasingly analyzed as hybridization processes. Hybridity itself, however, is often treated as a specifically post-colonial phenomenon. The contributors in this volume assume the historicity of transcultural flows and entanglements; they consider the resulting transformative powers to be a basic feature of cultural change. By juxtaposing different notions of hybridization and specific methodologies, as they appear in the various disciplines, this volume’s design is transdisciplinary. Each author presents a disciplinary concept of hybridization and shows how it operates in specific case studies. The aim is to generate a transdisciplinary perception of hybridity that paves the way for a wider application of this crucial concept
A multi-faceted and original study of the complex interactions between armies and their ecosystems, taking a long view of current debates about the environmental impact of the military.
The impact of the Great War and its aftermath on Belgian artistic life World War I had a major effect on Belgian visual arts. German occupation, the horror at the battlefield and the experience of exile led to multiple narratives and artistic expressions by Belgian artists during and after the war. Belgian interbellum art is extremely vibrant and diverse. 14/18 – Rupture or Continuity takes a look at Belgian artistic life in the years around the First World War and how it was affected by this event. The Great War was a catalyst of artistic oppositions, leading on the one hand to a Belgian avant-garde that explored new forms and styles, while continuing to uphold a more traditional and established art on the other. Whereas the war experience consolidated an already present style for some artists, for others it constituted a revolution leading to new artistic adventures. The collection of essays in the present book highlights these contrasting facets of Belgian art in its rich historical context during the early 20th century.
Reveals a much neglected strand of puritan theology which emphasised the importance of inner happiness and personal piety.