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From Topic to Tale
  • Language: en
  • Pages: 170

From Topic to Tale

From Topic to Tale was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The transition from the Middle Ages to the Renaissance has been discussed since the 1940s as a shift from a Latinate culture to one based on a vernacular language, and, since the 1960s, as a shift from orality to literacy. From Topic to Tale focuses on this multifaceted transition, but it poses the problem in different terms: it shows how a rhetorical tradition was transformed into a textual one, and ends ultimately in a discussion of the relationship betwe...

The Legacy of Chrétien de Troyes
  • Language: en
  • Pages: 324

The Legacy of Chrétien de Troyes

  • Type: Book
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  • Published: 1987
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  • Publisher: Rodopi

None

At Play in the Tavern
  • Language: en
  • Pages: 292

At Play in the Tavern

A lively study of the tavern in medieval life and thought

Barbarolexis
  • Language: en
  • Pages: 284

Barbarolexis

Among the topics: beach water table management, patterns of erosion, erosion protection systems, ponds and lagoons, and heavy minerals in beaches. These are selected papers from the Coastal Zone 89 symposium. Acidic paper. Leupin (French, Louisiana State) describes the variety of sexual references in such works as saints' lives, poetry, prose, romances, and epics from the 4th to the 16th century, noting the symbolic codes of theology, ethics, rhetoric, and aesthetics. Translated from French. Annotation copyrighted by Book News, Inc., Portland, OR

The Medieval Author in Medieval French Literature
  • Language: en
  • Pages: 261

The Medieval Author in Medieval French Literature

  • Type: Book
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  • Published: 2006-08-05
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  • Publisher: Springer

Thirty-five years ago Roland Barthes proclaimed the death of the Author. For medievalists no death has been more timely. The essays in this volume create a prism through which to understand medieval authorship as a process and the medieval author as an agency in the making.

Poets of Divine Love
  • Language: en
  • Pages: 260

Poets of Divine Love

Clearly written, this incisive critical study opens a new analytic window not only to the rhetoric of medieval Italian poetry but also to a richer understanding of one of the most important strands of medieval European culture.

Medieval Music-Making and the Roman de Fauvel
  • Language: en
  • Pages: 334

Medieval Music-Making and the Roman de Fauvel

Publisher Description

The Graphic Unconscious in Early Modern French Writing
  • Language: en
  • Pages: 242

The Graphic Unconscious in Early Modern French Writing

This book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing. Focusing on the poetry of Clement Marot, Rabelais's Gargantua, Ronsard's sonnets and the Essais of Montaigne, it argues that printed characters can either supplement or betray what they appear to articulate. They often reveal compositional patterns that do not appear to be under authorial control, and open political and subjective dimensions through the interaction of verbal and visual materials. This unconscious, proto-Freudian writing has complex historical relations with practices found in the media of the twentieth century.

Vox Intexta
  • Language: en
  • Pages: 304

Vox Intexta

Addresses the questions of how medieval textuality intersected with language production that was, or pretended to be, oral, and whether postmodern notions of textuality can deal adequately with the subject. The 13 essays were presented to an April 1988 conference in Madison, Wisconsin. Paper edition (unseen), $23.50. Annotation copyrighted by Book News, Inc., Portland, OR

Speaking Two Languages
  • Language: en
  • Pages: 322

Speaking Two Languages

This book is designed for the medievalist interested in contemporary criticism but cautious about its limits. The volume's essays are not designed to offer rereadings of familiar texts, but to address the problems of articulating tradition and contemporary theory. Each contributor interprets critical methods as consciously chosen and spoken "languages," and explores the consequences of combining a traditional and a contemporary method, and hence, speaking two languages. Each essay includes a critical bibliographical note pointing to further reading in the languages it employs.