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The Saxon Genesis
Toward the middle of the 9th century, an unknown poet composed a version of Genesis in the Old Saxon tongue. For centuries its existence was surmised, but only in the late 19th century, with the discovery of a fragment of the Old Saxon original in the Vatican Library, did scholars know for certain that the Old English fragment known as Genesis B formed the core of a longer, lost Saxon poem.
Genesis A
Among Old English poems, "Genesis A" is second--both in length and importance--only to Beowulf. With this new edition, Alger N. Doane reveals both the full stature of the poem and the significant achievement of the poet. Indeed, Doane's creative and scrupulous work calls for both a rereading and a reassessment of" Genesis A "among all scholars in the field. In the editing of the text and the commentary--the heart of the work--Doane brings his full learning to bear in the service of illuminating the poem. His detailed commentary touches upon all the points of interest of the poem, and places it in context--both historically and aesthetically--among other works of Old English and Germanic poetry, showing both its limits and achievements.
Genesis A
Among Old English poems, Genesis A is second--both in length and importance--only to Beowulf. With this new edition, Alger N. Doane reveals both the full stature of the poem and the significant achievement of the poet. Indeed, Doane's creative and scrupulous work calls for both a rereading and a reassessment of Genesis A among all scholars in the field. In the editing of the text and the commentary--the heart of the work--Doane brings his full learning to bear in the service of illuminating the poem. His detailed commentary touches upon all the points of interest of the poem, and places it in context--both historically and aesthetically--among other works of Old English and Germanic poetry, showing both its limits and achievements.
Vox Intexta
Addresses the questions of how medieval textuality intersected with language production that was, or pretended to be, oral, and whether postmodern notions of textuality can deal adequately with the subject. The 13 essays were presented to an April 1988 conference in Madison, Wisconsin. Paper edition (unseen), $23.50. Annotation copyrighted by Book News, Inc., Portland, OR
The Genesis of Books
This volume is about the book itself, as shaped and made by medieval scribes and as conditioned by the cultural understandings that were present in the world where those scribes lived. Questions relating to the provenance, compilation, script, function, and use - both medieval and modern - of manuscripts are raised and are resolved in a fresh manner. A number of different literary genres and types are explored, ranging from devotional materials (e.g. psalters, sermons, and illustrated gospel books) to texts of a more worldly orientation. A number of plates illustrate the work of particular scribes. While some beautiful codices are showcased, the emphasis falls on plain books written in English, including the Vercelli Book, the Exeter Book, and the Blickling Homilies. Analyses of the history of palaeography and the theoryof editing raise the point that whatever we know from old books is conditioned by the tools used to study them.
Anglo-Saxon Manuscripts in Microfiche Facsimile
Provides descriptions of manuscripts held in various libraries, including the manuscript's history, codicological features, collation, list of contents, notes on special features and problems, and selected bibliography.
A Genesis A
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Purloined Letters
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