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Renaissance Florence
This book examines the social history of Florence from the fourteenth through to sixteenth centuries.
Fascist Directive
By bringing Italian primary sources and new approaches to the cultural project of Mussolini's regime to bear on Ezra Pound's prose work, this book shows how Pound's modernism changed as a result of involvement in Italian politics and culture.
Aesthetic Modernism and Masculinity in Fascist Italy
Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Champagne seeks to evaluate how the aesthetic analysis of the artifacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something - like masculinity - is rendered as being an element of world politics, and how such an understanding differs from more orthodox 'cultural' analyses common to international relations.
TOTalitarian ARTs
This collection represents a tool to broaden and deepen our geographical, institutional, and historical understanding of the term totalitarianism. Is totalitarianism only found in ‘other’ societies? How come, then, it emerged historically in ‘ours’ first? How come it developed in so many countries either in Western Europe (Italy, Germany, Portugal, and Spain) or under implicit Western forms of coercion (Latin America)? How do relations between individual(s), mass and the visual arts relate to totalitarian trends? These are among the questions this book asks about totalitarianism. The volume does not impose a ‘one size fits all’ interpretation, but opens new spaces for debate on t...
Donatello Among the Blackshirts
Focuses on the appropriation of visual elements of the classical, medieval, and Renaissance past in Mussolini's Italy.
On the Importance of Being an Individual in Renaissance Italy
In recent decades, scholars have vigorously revised Jacob Burckhardt's notion that the free, untrammeled, and essentially modern Western individual emerged in Renaissance Italy. Douglas Biow does not deny the strong cultural and historical constraints that placed limits on identity formation in the early modern period. Still, as he contends in this witty, reflective, and generously illustrated book, the category of the individual was important and highly complex for a variety of men in this particular time and place, for both those who belonged to the elite and those who aspired to be part of it. Biow explores the individual in light of early modern Italy's new patronage systems, educational...
Routledge Revivals: Medieval Italy (2004)
First published in 2004, Medieval Italy: An Encyclopedia provides an introduction to the many and diverse facets of Italian civilization from the late Roman empire to the end of the fourteenth century. It presents in two volumes articles on a wide range of topics including history, literature, art, music, urban development, commerce and economics, social and political institutions, religion and hagiography, philosophy and science. This illustrated, A-Z reference is a cross-disciplinary resource and will be of key interest not only to students and scholars of history but also to those studying a range of subjects, as well as the general reader.
Mobs
The topic of mobs has resonances in a remarkable number of disciplines and provides a link between past and present—mobs are clearly of much importance today. The idea of mobs provides the context for all the essays and topics in this volume — from Heraclitus to the writings of Elias Canetti to the notion of internet mobs. The essays here speak to the complex nature of the mob: its defining characteristics and the varying consequences of its behavior. Mobs as a book brings wide-ranging clarity to a topic that touches such disciplines as medieval studies, literature, musicology, theology and philosophy, history, social theory, the development of the early university, and theatre. Contributors are (in order within the volume): Leonard M. Koff, Ben Schomakers, Bernard S. Bachrach, Nancy van Deusen, Paul W. Knoll, Charlotte Bauer, Andrew Galloway, Robert W. Hanning, Terence Tunberg, Peter Howard, Cornelia Oefelein, Teofilo Ruiz, Richard Taruskin, David B. Rosen, Aino Paasonen and Richard Sogliuzzo.
Renaissance Scholasticisms
This volume sheds new light on the intellectual history of the Renaissance by focusing on the neglected paradigm of scholasticism. Its chapters aim to recast our present understanding of familiar features of Renaissance thought by showing that many of the assumed innovations of the period took place as a result of a dialogue between plural traditions of scholasticism and the emerging methods of humanism. Written by a team of internationally recognized experts, the volume seeks to further enfranchise scholasticism as an integral aspect of Renaissance intellectual history and explain its value to the study of humanism and early modern philosophy.
Space, Place, and Motion: Locating Confraternities in the Late Medieval and Early Modern City
Space, Place, and Motion: Locating Confraternities in the Late Medieval and Early Modern City offers the first sustained comparative examination of the relationship between confraternal life and the spaces of the late medieval and early modern city. By considering cities large (Rome) and small (Aalst) in regions as disparate as Ireland and Mexico, the essays collected here seek to uncover the commonalities and differences in confraternal practice as they played out on the urban stage. From the candlelit oratory to the bustling piazza, from the hospital ward to the festal table, from the processional route to the execution grounds, late medieval and early modern cities, this interdisciplinary book contends, were made up of fluid and contested ‘confraternal spaces.’ Contributors are: Kira Maye Albinsky, Meryl Bailey, Cormac Begadon, Caroline Blondeau-Morizot, Danielle Carrabino, Andrew Chen, Ellen Decraene, Laura Dierksmeier, Ellen Alexandra Dooley, Douglas N. Dow, Anu Mänd, Rebekah Perry, Pamela A.V. Stewart, Arie van Steensel, and Barbara Wisch.
