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The first comprehensive interpretation of the work of a major figure in Chicano literature, Klaus Zilles's study of the fourteen novels in Rolando Hinojosa's Klail City Death Trip series will appeal equally to the specialist, to the student, and to the interested reader of Hinojosa's intriguing and innovative "Tejano" novels. The series is dedicated to revealing the suppressed oral history of Mexican Texas and to making the reader a companion on a quest for this elusive history. Published between 1973 and 1998, the Klail City series ranges in historical time from the mid-1700s to the end of the twentieth century, attesting to 250 years of Spanish-Mexican presence in the Lower Río Grande Val...
This collection of critical essays addresses the complex relationship between contemporary literature theory and Chicano literaturea literature that is not part of the traditional literary cannon. The contributors, including Yolanda Julia Broyles, H?ctor CalderÑn, Margarita Cotà-Càrdenas, Lauro Flores, Patricia de la Fuente, Rolando Hinojosa, Luis Leal, Jos? David SaldÕvar, RamÑn SaldÕvar, MarÕa I. Duke dos Santos, and Rosaura Sànchez, draw upon a diverse array of theoriesMarxist, feminist, post-structuralistto make fresh, critical comments, not only on Rolando HinojosaÍs work, Klail City Death Trip series, but also on literary theory today.
Klail City is the pivotal novel in HinjosaÍs continuing saga, the Klail City Death Trip Series. It is concerned with power as articulated through the disjunctive class and race relations between Texas Mexicans and Texas Anglos in the lower Rio Grande Valley. In his desire to help recreate the kaleidoscopic past, Hinojosa employs four generations of storytellers who thoroughly mesmerize the reader with their tales of tragic realism, alienation and desire. Klail City (in its Spanish version) is the winner of Latin AmericaÍs most prestigious literary award, the Casa de las Am?ricas Prize. It has been published in German and now, HinojosaÍs own English-language version is available. Rolando Hinojosa is the best known and most prolific Mexican American novelist. His works, which form a continuing, ever-evolving saga of life in the small border towns in TexasÍs lower Valley, are acclaimed for their fine sense of wit and pathos and their ability to capture the nuances of oral language.
Rolando Hinojosa, winner of the National Award for Chicano Literature (Quinto Solæ1972), the International Award for Best Spanish American Novel (Casa de las Am?ricasæ1976), is considered to be the foremost Chicano novelist. A master of satire, humor and understatement, Hinojosa has nurtured his characters through generations in the history of his fictional Rio Grande Valley town, Klail City. InæRites and Witnesses, the drama unfolds among the wealthy power-brokers whose manipulation of banking, ranching, real estate and local politics shapes the lives of real and down-to-earth inhabitants, all deftly and sensitively sketched by Hinojosa.
Rolando Hinojosa is a Texas writer with his sense of place centered in the Texas Valley, a world in itself and a place recognizable as a discrete community. But Hinojosa's work transcends the regional, transcends the Valley, transcends Texas, while it remains rooted in all three. Hinojosa is treated here from the perspective of his place in the mainstream of American literature and with his attempts to write works that speak to a large and more diverse audience, rather than from the perspective of his place within the world of Texas-Mexican literature. Joyce Lee does not neglect the regional aspects of Hinojosa's works, but puts them into the context of what they say about the vitality of American culture at large and about the Mexican culture's variations of the American Dream. Covers Hinojosa's full-length books-- Dear Rafe, Klail City, The Useless Servants, The Valley, Partners in Crime, and Rites and Witnesses --as well as his essays and articles.
In the tragicomic novel, We Happy Few, internationally recognized author Rolando Hinojosa takes us inside the politics of a tumultuous university campus set in a quiet university town on the Texas-Mexico border. The chaotic politics of faculty promotions and tenure, the zany protests of a student group representing the majority Mexican-American ethnic group on campus, and the complex work of a search committee to replace a high-level university administrator unfold at Belken State University in Klail City, Texas. From the offices of deans and professors to those of familiar power brokers such as banker Arnold ñNoddyî Perkins and police chief Rafe Buenrostro, and even to the State House in ...
Interviews with major Chicana/o authors are the basis for this examination of the commonality of issues in the work of each of them.
Once relegated to the borders of literature—neither Mexican nor truly American—Chicana/o writers have always been in the vanguard of change, articulating the multicultural ethnicities, shifting identities, border realities, and even postmodern anxieties and hostilities that already characterize the twenty-first century. Indeed, it is Chicana/o writers' very in-between-ness that makes them authentic spokespersons for an America that is becoming increasingly Mexican/Latin American and for a Mexico that is ever more Americanized. In this pioneering study, Héctor Calderón looks at seven Chicana and Chicano writers whose narratives constitute what he terms an American Mexican literature. Dr...
This volume collects essays and stories written by one of the most well-known Mexican-American authors, Rolando Hinojosa, who writes about life along the Texas-Mexico border.