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Keeping in Touch With Pragma-Dialectics
"Keeping in touch with Pragma-Dialectics" is written to honor Frans van Eemeren and his work in the field of argumentation theory on the occasion of his retirement. The volume contains 17 contributions from teams of authors consisting of a combination of a pragma-dialectician and one or two researchers with a different background in the field of argumentation. In this volume, comparisons between the pragma-dialectical approach and other approaches are made, aspects of strategic maneuvering such as the use of presentational techniques, adaptation to the audience and the selection of topics are dealt with and the influence of specific institutional contexts such as politics, medicine and internet forums on strategic maneuvering are discussed.
Musik und Sprachprosodie
Wo liegen die Schnittstellen von Sprache und Musik? Kann Gesang prosodische Merkmale der Sprache transportieren? Ist er ein wichtiger Faktor für Kinder im frühen Spracherwerb? Diese Fragen stehen im Mittelpunkt dieses Buches, das erstmals die Prosodie alltäglicher gesungener Sprache untersucht. Im Vergleich der Sprachen Deutsch, Französisch und Russisch zeigt die Autorin, dass im kindgerichteten Singen sprachspezifische prosodische Merkmale vorhanden sind, die den Erwerbsverlauf innerhalb des ersten Lebensjahres fördern könnten. Umfangreiche Feldaufnahmen bilden die Grundlage von fünf exemplarischen Untersuchungen, die phonologische und phonetische Aspekte des kindgerichteten Singens ...
Jewish Theology and World Religions
The contributors to this volume represent a range of disciplines and denominations within Judaism and share the conviction that articulating contemporary Jewish views of other world religions is an urgent objective for Judaism. Their essays show why a Jewish theology of world religions is a priority for Jewish thinkers and educators concerned with reinvigorating Judaism's contribution to the contemporary world and maintaining Jewish identity and continuity.
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East German Film and the Holocaust
East Germany’s ruling party never officially acknowledged responsibility for the crimes committed in Germany’s name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner – a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political.
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